Alfred Tennyson

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Alfred, Lord Tennyson (1st Baron Tennyson) (1809-08-06 – 1892-10-06) was the Poet Laureate of the United Kingdom after William Wordsworth and is one of the most popular English poets in literature.

Contents 1 See also 2 Sourced 2.1 Ode to Memory (1830) 2.2 The Poet (1830) 2.3 Lady Clara Vere de Vere (1832) 2.4 The Lotos-Eaters (1832) 2.5 The Lady of Shalott (1832) 2.6 Locksley Hall (1842) 2.7 Ulysses (1842) 2.8 The Day-Dream (1842) 2.9 Lady Clare (1842) 2.10 The Princess (1847) 2.11 Tears, Idle Tears (1850) 2.12 Ode on the Death of the Duke of Wellington (1852) 2.13 The Charge of the Light Brigade (1854) 2.14 Maud; A Monodrama (1855) 2.15 The Revenge (1878) 2.16 Crossing the Bar (1889) 2.17 The Foresters, Robin Hood and Maid Marion (1892) 3 Misattributed 4 About Alfred Tennyson 5 External links

[edit] See also

• Idylls of the King (1856 to 1885)
• In Memoriam A.H.H. (1850)
• The Two Voices (1832; 1842)

[edit] Sourced

• Where Claribel low-lieth
  The breezes pause and die,
  Letting the rose-leaves fall:
  But the solemn oak-tree sigheth,
  Thick-leaved, ambrosial,
  With an ancient melody
  Of an inward agony,
  Where Claribel low-lieth.
  • "Claribel" (1830)

• With blackest moss the flower plots
  Were thickly crusted, one and all;
  The rusted nails fell from the knots
  That held the pear to the gable wall.
  The broken sheds looked sad and strange:
  Unlifted was the clinking latch;
  Weeded and worn the ancient thatch
  Upon the lonely moated grange.
  She only said, "My life is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!'
  • "Mariana" (1830)

• He often lying broad awake, and yet
  Remaining from the body, and apart
  In intellect and power and will, hath heard
  Time flowing in the middle of the night,
  And all things creeping to a day of doom.
  • "The Mystic"

• Yet fill my glass: give me one kiss:
  My own sweet Alice, we must die.
  There's somewhat in this world amiss
  Shall be unriddled by and by.
  There's somewhat flows to us in life,
  But more is taken quite away.
  Pray, Alice, pray, my darling wife,
  That we may die the self-same day.
  • "The Miller's Daughter" (1832)

• Have I not found a happy earth?
  I least should breathe a thought of pain.
  Would God renew me from my birth
  I'd almost live my life again.
  So sweet it seems with thee to walk,
  And once again to woo thee mine —
  It seems in after-dinner talk
  Across the walnuts and the wine —
  • "The Miller's Daughter" (1832)

• O mother Ida, many-fountain'd Ida,
  Dear mother Ida, harken ere I die.
  For now the noonday quiet holds the hill:
  The grasshopper is silent in the grass:
  The lizard, with his shadow on the stone,
  Rests like a shadow, and the winds are dead.
  The purple flower droops: the golden bee
  Is lily-cradled: I alone awake.
  My eyes are full of tears, my heart of love,
  My heart is breaking, and my eyes are dim,
  And I am all aweary of my life.
  • "Oenone", st. 3 (1832)

• Self-reverence, self-knowledge, self-control,
  These three alone lead life to sovereign power.
  Yet not for power (power of herself
  Would come uncall'd for) but to live by law,
  Acting the law we live by without fear;
  And, because right is right, to follow right
  Were wisdom in the scorn of consequence.
  • "Oenone", st. 14

• I built my soul a lordly pleasure-house,
  Wherein at ease for aye to dwell.
  I said, "O Soul, make merry and carouse,
  Dear soul, for all is well."
  • "The Palace of Art", st. 1 (1832)

• You must wake and call me early, call me early, mother dear;
  Tomorrow 'ill be the happiest time of all the glad New-year;
  Of all the glad New-year, mother, the maddest merriest day,
  For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.
  • "The May Queen", st. 1 (1832)

• Dan Chaucer, the first warbler, whose sweet breath
  Preluded those melodious bursts that fill
  The spacious times of great Elizabeth
  With sounds that echo still.
  • "A Dream of Fair Women", st. 2 (1832)

• At length I saw a lady within call,
  Stiller than chisell'd marble, standing there;
  A daughter of the gods, divinely tall,
  And most divinely fair.
  • "A Dream of Fair Women", st. 22

• The great brand
  Made lightnings in the splendour of the moon,
  And flashing round and round, and whirl'd in an arch,
  Shot like a streamer of the northern morn,
  Seen where the moving isles of winter shock
  By night, with noises of the northern sea.
  So flash'd and fell the brand Excalibur.
  • "Morte d'Arthur", st. 15 (1842)

• Half light, half shade,
  She stood, a sight to make an old man young.
  • "The Gardener's Daughter", l. 139-140 (1842)

• Of love that never found his earthly close,
  What sequel? Streaming eyes and breaking hearts?
  Or all the same as if he had not been?
  Not so. Shall Error in the round of time
  Still father Truth? O shall the braggart shout
  For some blind glimpse of freedom work itself
  Thro' madness, hated by the wise, to law
  System and empire? Sin itself be found
  The cloudy porch oft opening on the Sun?
  And only he, this wonder, dead, become
  Mere highway dust? or year by year alone
  Sit brooding in the ruins of a life,
  Nightmare of youth, the spectre of himself!
  If this were thus, if this, indeed, were all,
  Better the narrow brain, the stony heart,
  The staring eye glazed o'er with sapless days,
  The long mechanic pacings to and fro,
  The set gray life, and apathetic end.
  But am I not the nobler thro' thy love?
  O three times less unworthy! likewise thou
  Art more thro' Love, and greater than thy years.
  • "Love and Duty", l. 1- 21 (1842)

• The slow sweet hours that bring us all things good,
  The slow sad hours that bring us all things ill,
  And all good things from evil, brought the night
  In which we sat together and alone,
  And to the want, that hollow'd all the heart,
  Gave utterance by the yearning of an eye,
  That burn'd upon its object thro' such tears
  As flow but once a life. The trance gave way
  To those caresses, when a hundred times
  In that last kiss, which never was the last,
  Farewell, like endless welcome, lived and died.
  • "Love and Duty" l. 57 - 67 (1842)

• Meet is it changes should control
  Our being, lest we rust in ease.
  We all are changed by still degrees,
  All but the basis of the soul.
  • "Love Thou Thy Land", st. 11 (1842)

• But we grow old. Ah! when shall all men's good
  Be each man's rule, and universal Peace
  Lie like a shaft of light across the land,
  And like a lane of beams athwart the sea,
  Thro' all the circle of the golden year?
  • "The Golden Year", st. 3 (1842)

• My good blade carves the casques of men,
  My tough lance thrusteth sure,
  My strength is as the strength of ten,
  Because my heart is pure.
  • "Sir Galahad", st. 1 (1842)

• I grow in worth, and wit, and sense,
  Unboding critic-pen,
  Or that eternal want of pence,
  Which vexes public men,
  Who hold their hands to all, and cry
  For that which all deny them —
  Who sweep the crossings, wet or dry,
  And all the world go by them.
  • "Will Waterproof's Lyrical Monologue", st. 6 (1842)

• As shines the moon in clouded skies,
  She in her poor attire was seen;
  One praised her ankles, one her eyes,
  One her dark hair and lovesome mien.
  So sweet a face, such angel grace,
  In all that land had never been.
  Cophetua sware a royal oath:
  "This beggar maid shall be my queen!"
  • "The Beggar Maid", st. 2 (1842)

• Then some one spake: "Behold! it was a crime
  Of sense avenged by sense that wore with time."
  Another said: "The crime of sense became
  The crime of malice, and is equal blame."
  And one: "He had not wholly quench'd his power;
  A little grain of conscience made him sour."
  At last I heard a voice upon the slope
  Cry to the summit, "Is there any hope?"
  To which an answer peal'd from that high land,
  But in a tongue no man could understand;
  And on the glimmering limit far withdrawn
  God made Himself an awful rose of dawn.
  • "The Vision of Sin", sec. 5 (1842)

• Break, break, break,
  On thy cold gray stones, O Sea!
  And I would that my tongue could utter
  The thoughts that arise in me.
  • "Break, Break, Break", st. 1 (1842)

• Break, break, break
  At the foot of thy crags, O Sea!
  But the tender grace of a day that is dead
  Will never come back to me.
  • "Break, Break, Break", st. 4

• He clasps the crag with crooked hands;
  Close to the sun in lonely lands,
  Ring'd with the azure world, he stands.
  
  The wrinkled sea beneath him crawls;
  He watches from his mountain walls,
  And like a thunderbolt he falls.
  • "The Eagle" (1851)

• We love not this French God, the child of hell,
  Wild War, who breaks the converse of the wise;
  But though we love kind Peace so well,
  We dare not even by silence sanction lies.
  It might be safe our censures to withdraw,
  And yet, my Lords, not well; there is a higher law.
  • "The Third of February, 1852", st. 2 (1852)

• I come from haunts of coot and hern,
  I make a sudden sally,
  And sparkle out among the fern,
  To bicker down a valley.
  • "The Brook", st. 1 (1855)

• And draw them all along, and flow
  To join the brimming river,
  For men may come and men may go,
  But I go on forever.
  • "The Brook", st. 5

• The woods decay, the woods decay and fall,
  The vapours weep their burthen to the ground,
  Man comes and tills the field and lies beneath,
  And after many a summer dies the swan.
  Me only cruel immortality
  Consumes: I wither slowly in thine arms,
  Here at the quiet limit of the world,
  A white-hair'd shadow roaming like a dream
  The ever-silent spaces of the East,
  Far-folded mists, and gleaming halls of morn.
  • "Tithonus", st. 1 (1860)

• His deeds yet live, the worst is yet to come.
  Yet let your sleep for this one night be sound:
  I do forgive him!
  • "Sea Dreams" (1864) l. 301-303

• And the parson made it his text that week, and he said likewise,
  That a lie which is half a truth is ever the blackest of lies,
  That a lie which is all a lie may be met and fought with outright,
  But a lie which is part a truth is a harder matter to fight.
  • "The Grandmother", st. 8 (1864)

• Speak to Him thou for He hears, and Spirit with Spirit can meet —
  Closer is He than breathing, and nearer than hands and feet.
  • "The Higher Pantheism", st. 6 (1869)

• Flower in the crannied wall,
  I pluck you out of the crannies,
  I hold you here, root and all, in my hand,
  Little flower — but if I could understand
  What you are, root and all, and all in all,
  I should know what God and man is.
  • "Flower in the Crannied Wall" (1869)

• Thou that singest wheat and woodland, tilth and vineyard, hive and horse and herd;
  All the charm of all the Muses often flowering in a lonely word.
  • "To Virgil", st. 3 (1882)

• For nothing worthy proving can be proven,
  Nor yet disproven: wherefore thou be wise,
  Cleave ever to the sunnier side of doubt,
  And cling to Faith beyond the forms of Faith!
  • "The Ancient Sage", l. 66-69 (1885)

• First pledge our Queen this solemn night,
  Then drink to England, every guest;
  That man's the best Cosmopolite
  Who loves his native country best.
  • "Hands All Round", l. 1-4 (1885)

• O young Mariner,
  You from the haven
  Under the sea-cliff,
  You that are watching
  The gray Magician
  With eyes of wonder,
  I am Merlin,
  And I am dying,
  I am Merlin
  Who follow The Gleam.
  • "Merlin and the Gleam", st. 1 (1889)

• Once at the croak of a Raven who crost it,
  A barbarous people,
  Blind to the magic,
  And deaf to the melody,
  Snarl’d at and cursed me.
  A demon vext me,
  The light retreated,
  The landskip darken’d,
  The melody deaden’d,
  The Master whisper’d
  ‘Follow The Gleam.’
  • "Merlin and the Gleam", st. 3 (1889)

• Well, Gosse, would you like to know what I think of Churton Collins? I think he's a Louse on the Locks of Literature.
  • Evan Charteris, Life and Letters of Sir Edmund Gosse (1931), p. 197

• This laurel greener from the brows
  Of him that uttered nothing base.
  • To the Queen, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

• And statesmen at her council met
  Who knew the seasons, when to take
  Occasion by the hand, and make
  The bounds of freedom wider yet.
  • To the Queen, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

• Broad based upon her people’s will,
  And compassed by the inviolate sea.
  • To the Queen, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

• For it was in the golden prime
  Of good Haroun Alraschid.
  • Recollections of the Arabian Nights, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

[edit] Ode to Memory (1830)

"Written very early in life" — first published in 1830

• Thou who stealest fire,
  From the fountains of the past,
  To glorify the present; oh, haste,
  Visit my low desire!
  Strengthen me, enlighten me!
  I faint in this obscurity,
  Thou dewy dawn of memory.

• In sweet dreams softer than unbroken rest
  Thou leddest by the hand thine infant Hope.
  The eddying of her garments caught from thee
  The light of thy great presence; and the cope
  Of the half-attain'd futurity,
  Though deep not fathomless,
  Was cloven with the million stars which tremble
  O'er the deep mind of dauntless infancy.

• Come forth I charge thee, arise,
  Thou of the many tongues, the myriad eyes!
  Thou comest not with shows of flaunting vines
  Unto mine inner eye,
  Divinest Memory!

• Whither in after life retired
  From brawling storms,
  From weary wind,
  With youthful fancy reinspired,
  We may hold converse with all forms
  Of the many-sided mind,
  And those whom passion hath not blinded,
  Subtle-thoughted, myriad-minded.

[edit] The Poet (1830)

• The poet in a golden clime was born,
  With golden stars above;
  Dower'd with the hate of hate, the scorn of scorn,
  The love of love.
  He saw thro' life and death, thro' good and ill,
  He saw thro' his own soul.
  The marvel of the everlasting will,
  An open scroll,
  Before him lay; with echoing feet he threaded
  The secretest walks of fame:
  The viewless arrows of his thoughts were headed
  And wing'd with flame,
  Like Indian reeds blown from his silver tongue...

• So many minds did gird their orbs with beams,
  Tho' one did fling the fire;
  Heaven flow'd upon the soul in many dreams
  Of high desire.

• Thus truth was multiplied on truth, the world
  Like one great garden show'd,
  And thro' the wreaths of floating dark up-curl'd,
  Rare sunrise flow'd.

  And Freedom rear'd in that august sunrise
  Her beautiful bold brow,
  When rites and forms before his burning eyes
  Melted like snow.

• There was no blood upon her maiden robes
  Sunn'd by those orient skies;
  But round about the circles of the globes
  Of her keen
  And in her raiment's hem was traced in flame
  WISDOM, a name to shake
  All evil dreams of power — a sacred name.
  And when she spake,
  Her words did gather thunder as they ran,
  And as the lightning to the thunder
  Which follows it, riving the spirit of man,
  Making earth wonder,
  So was their meaning to her words. No sword
  Of wrath her right arm whirl'd,
  But one poor poet's scroll, and with his word
  She shook the world.

[edit] Lady Clara Vere de Vere (1832)

• Lady Clara Vere de Vere,
  Of me you shall not win renown:
  You thought to break a country heart
  For pastime, ere you went to town.
  At me you smiled, but unbeguiled
  I saw the snare, and I retired;
  The daughter of a hundred earls,
  You are not one to be desired.
  • St. 1

• A simple maiden in her flower
  Is worth a hundred coats-of-arms.
  • St. 2

• You sought to prove how I could love,
  And my disdain is my reply.
  The lion on your old stone gates
  Is not more cold to you than I.
  • St. 3

• Trust me, Clara Vere de Vere,
  From yon blue heavens above us bent
  The gardener Adam and his wife
  Smile at the claims of long descent.
  Howe'er it be, it seems to me,
  'Tis only noble to be good.
  Kind hearts are more than coronets,
  And simple faith than Norman blood.
  • St. 7

[edit] The Lotos-Eaters (1832)

• In the afternoon they came unto a land
  In which it seemed always afternoon.
  • St. 1

• There is sweet music here that softer falls
  Than petals from blown roses on the grass,
  Or night-dews on still waters between walls
  Of shadowy granite, in a gleaming pass;
  Music that gentlier on the spirit lies,
  Than tir'd eyelids upon tir'd eyes.
  • Choric Song, st. 1

• There is no joy but calm!
  • Choric Song, st. 2

• Death is the end of life; ah, why
  Should life all labour be?
  Let us alone. Time driveth onward fast,
  And in a little while our lips are dumb.
  Let us alone. What is it that will last?
  All things are taken from us, and become
  Portions and parcels of the dreadful past.
  Let us alone. What pleasure can we have
  To war with evil? Is there any peace
  In ever climbing up the climbing wave?
  All things have rest, and ripen toward the grave
  In silence; ripen, fall and cease:
  Give us long rest or death, dark death, or dreamful ease.
  • Choric Song, st. 4

• Let us swear an oath, and keep it with an equal mind,
  In the hollow Lotos-land to live and lie reclined
  On the hills like Gods together, careless of mankind.
  • Choric Song, st. 8

• Surely, surely, slumber is more sweet than toil, the shore
  Than labour in the deep mid-ocean, wind and wave and oar;
  O, rest ye, brother mariners, we will not wander more.
  • Choric Song, st. 8

[edit] The Lady of Shalott (1832)

• On either side the river lie
  Long fields of barley and of rye,
  That clothe the wold and meet the sky;
  And through the field the road runs by
  To many-towered Camelot.
  • Pt. I, st. 1

• Willows whiten, aspens quiver,
  Little breezes dusk and shiver
  Through the wave that runs for ever
  By the island in the river
  Flowing down to Camelot.
  • Pt. I, st. 2

• All in the blue unclouded weather
  Thick-jewelled shone the saddle-leather,
  The helmet and the helmet-feather
  Burned like one burning flame together,
  As he rode down to Camelot.
  • Pt. III, st. 3

• From the bank and from the river
  He flashed into the crystal mirror,
  "Tirra lirra," by the river
  Sang Sir Lancelot.
  • Pt. III, st. 4

• She left the web, she left the loom,
  She made three paces through the room,
  She saw the water-lily bloom,
  She saw the helmet and the plume,
  She looked down to Camelot.
  Out flew the web and floated wide;
  The mirror cracked from side to side;
  "The curse is come upon me," cried
  The Lady of Shalott.
  • Pt. III, st. 5

• Lying, robed in snowy white
  That loosely flew to left and right —
  The leaves upon her falling light —
  Thro' the noises of the night,
  She floated down to Camelot:
  And as the boat-head wound along
  The willowy hills and fields among,
  They heard her singing her last song,
  The Lady of Shalott.

  Heard a carol, mournful, holy,
  Chanted loudly, chanted lowly,
  Till her blood was frozen slowly,
  And her eyes were darkened wholly,
  Turn'd to tower'd Camelot.
  For ere she reach'd upon the tide
  The first house by the water-side,
  Singing in her song she died,
  The Lady of Shalott.

• Out upon the wharfs they came,
  Knight and Burgher, Lord and Dame,
  And around the prow they read her name,
  The Lady of Shalott.

  Who is this? And what is here?
  And in the lighted palace near
  Died the sound of royal cheer;
  And they crossed themselves for fear,
  All the Knights at Camelot;
  But Lancelot mused a little space
  He said, "She has a lovely face;
  God in his mercy lend her grace,
  The Lady of Shalott."

  • Pt. IV, st. 6

[edit] Locksley Hall (1842)

• Comrades, leave me here a little, while as yet 'tis early morn:
  Leave me here, and when you want me, sound upon the bugle horn.

• In the Spring a livelier iris changes on the burnish'd dove;
  In the Spring a young man's fancy lightly turns to thoughts of love.

• He will hold thee, when his passion shall have spent its novel force,
  Something better than his dog, a little dearer than his horse.

• Never, tho' my mortal summers to such length of years should come
  As the many-winter'd crow that leads the clanging rookery home.

• I remember one that perish'd: sweetly did she speak and move:
  Such a one do I remember, whom to look at was to love.

• Comfort? comfort scorn'd of devils! this is truth the poet sings,
  That a sorrow's crown of sorrow is remembering happier things.

• Like a dog, he hunts in dreams, and thou art staring at the wall,
  Where the dying night-lamp flickers, and the shadows rise and fall.

• O, I see thee old and formal, fitted to thy petty part,
  With a little hoard of maxims preaching down a daughter's heart.

• What is that which I should turn to, lighting upon days like these?
  Every door is barred with gold, and opens but to golden keys.

  Every gate is thronged with suitors, all the markets overflow.
  I have but an angry fancy: what is that which I should do?

  I had been content to perish, falling on the foeman's ground,
  When the ranks are rolled in vapour, and the winds are laid with sound.

  But the jingling of the guinea helps the hurt that Honour feels,
  And the nations do but murmur, snarling at each other's heels.

• Make me feel the wild pulsation that I felt before the strife,
  When I heard my days before me, and the tumult of my life;
  Yearning for the large excitement that the coming years would yield,
  Eager-hearted as a boy when first he leaves his father's field

• Men, my brothers, men the workers, ever reaping something new:
  That which they have done but earnest of the things that they shall do:

  For I dipped into the future, far as human eye could see,
  Saw the Vision of the world, and all the wonder that would be;

  Saw the heavens fill with commerce, argosies of magic sails,
  Pilots of the purple twilight, dropping down with costly bales;

  Heard the heavens fill with shouting, and there rained a ghastly dew
  From the nations' airy navies grappling in the central blue;

  Far along the world-wide whisper of the south-wind rushing warm,
  With the standards of the peoples plunging through the thunderstorm;

  Till the war-drum throbbed no longer, and the battle-flags were furled
  In the Parliament of man, the Federation of the world.

  There the common sense of most shall hold a fretful realm in awe,
  And the kindly earth shall slumber, lapped in universal law.

• So I triumphed ere my passion sweeping through me left me dry,
  Left with the palsied heart, and left me with the jaundiced eye;

  Eye, to which all order festers, all things here are out of joint:
  Science moves, but slowly slowly, creeping on from point to point:

  Slowly comes a hungry people, as a lion creeping nigher,
  Glares at one that nods and winks behind a slowly-dying fire.

  Yet I doubt not through the ages one increasing purpose runs,
  And the thoughts of men are widened with the process of the suns.

• Knowledge comes, but wisdom lingers, and I linger on the shore,
  And the individual withers, and the world is more and more.

• Woman is the lesser man, and all thy passions, match'd with mine,
  Are as moonlight unto sunlight, and as water unto wine —

• There the passions cramp'd no longer shall have scope and breathing-space;
  I will take some savage woman, she shall rear my dusky race.

• Mated with a squalid savage — what to me were sun or clime?
  I the heir of all the ages, in the foremost files of time —

• Not in vain the distance beacons. Forward, forward let us range.
  Let the great world spin for ever down the ringing grooves of change.

• Thro' the shadow of the globe we sweep into the younger day:
  Better fifty years of Europe than a cycle of Cathay.

• Comes a vapour from the margin, blackening over heath and holt,
  Cramming all the blast before it, in its breast a thunderbolt.

  Let it fall on Locksley Hall, with rain or hail, or fire or snow;
  For the mighty wind arises, roaring seaward, and I go.

[edit] Ulysses (1842)

• It little profits that an idle king,
  By this still hearth, among these barren crags,
  Match'd with an aged wife, I mete and dole
  Unequal laws unto a savage race,
  That hoard, and sleep, and feed, and know not me.
  • l. 1-5

• I cannot rest from travel: I will drink
  Life to the lees: all times I have enjoy'd
  Greatly, have suffer'd greatly, both with those
  That loved me, and alone, on shore, and when
  Thro' scudding drifts the rainy Hyades
  Vext the dim sea: I am become a name;
  For always roaming with a hungry heart
  Much have I seen and known; cities of men
  And manners, climates, councils, governments,
  Myself not least, but honour'd of them all;
  And drunk delight of battle with my peers,
  Far on the ringing plains of windy Troy.
  • 13 -17

• I am part of all that I have met;
  Yet all experience is an arch wherethro'
  Gleams that untravell'd world, whose margin fades
  For ever and for ever when I move.
  • l. 18 - 21

• How dull it is to pause, to make an end,
  To rust unburnish'd, not to shine in use!
  As tho' to breath were life. Life piled on life
  Were all too little, and of one to me
  Little remains: but every hour is saved
  From that eternal silence, something more,
  A bringer of new things; and vile it were
  For some three suns to store and hoard myself,
  And this gray spirit yearning in desire
  To follow knowledge like a sinking star,
  Beyond the utmost bound of human thought.
  • l. 22-32

• Souls that have toil'd, and wrought, and thought with me —
  That ever with a frolic welcome took
  The thunder and the sunshine, and opposed
  Free hearts, free foreheads — you and I are old;
  Old age hath yet his honor and his toil.
  Death closes all; but something ere the end,
  Some work of noble note, may yet be done,
  Not unbecoming men that strove with gods.
  • l. 46-53

• The lights begin to twinkle from the rocks;
  The long day wanes; the slow moon climbs; the deep
  Moans round with many voices.
  Come, my friends.
  'Tis not too late to seek a newer world.
  Push off, and sitting well in order smite
  The sounding furrows; for my purpose holds
  To sail beyond the sunset, and the baths
  Of all the western stars, until I die.
  • l. 54-62

• It may be that the gulfs will wash us down;
  It may be that we shall touch the Happy Isles,
  And see the great Achilles, whom we knew.
  Though much is taken, much abides; and though
  We are not now that strength which in old days
  Moved earth and heaven, that which we are, we are —
  One equal temper of heroic hearts,
  Made weak by time and fate, but strong in will
  To strive, to seek, to find, and not to yield.
  • l. 63-70

[edit] The Day-Dream (1842)

• The bodies and the bones of those
  That strove in other days to pass,
  Are wither'd in the thorny close,
  Or scatter'd blanching on the grass.
  He gazes on the silent dead:
  "They perish'd in their daring deeds."
  This proverb flashes thro' his head,
  "The many fail: the one succeeds."
  • The Arrival, st. 2

• And on her lover's arm she leant,
  And round her waist she felt it fold,
  And far across the hills they went
  In that new world which is the old:
  Across the hills, and far away
  Beyond their utmost purple rim,
  And deep into the dying day
  The happy princess follow'd him.
  • The Departure, st. 1

• O eyes long laid in happy sleep!
  O happy sleep, that lightly fled!
  O happy kiss, that woke thy sleep!
  O love, thy kiss would wake the dead!
  • The Departure, st. 3

• And o'er the hills, and far away
  Beyond their utmost purple rim,
  Beyond the night, across the day,
  Thro' all the world she follow'd him.
  • The Departure, st. 4

• So, Lady Flora, take my lay,
  And if you find no moral there,
  Go, look in any glass and say,
  What moral is in being fair.
  Oh, to what uses shall we put
  The wildweed-flower that simply blows?
  And is there any moral shut
  Within the bosom of the rose?
  • Moral, st. 1

[edit] Lady Clare (1842)

Full text online

• It was the time when lilies blow,
  And clouds are highest up in air.
  Lord Ronald brought a lily-white doe
  To give his cousin, Lady Clare.

• "He does not love me for my birth
  Nor for my lands so broad and fair;
  He loves me for my own true worth,
  And that is well," said Lady Clare.

• "If I'm a beggar born," she said
  "I will speak out, for I dare not lie,
  Pull off, pull off the brooch of gold,
  And fling the diamond necklace by."

  "Nay now, my child," said Alice the nurse,
  "But keep the secret all you can."
  She said, "Not so; but I will know
  If there be any faith in man."

• She clad herself in a russet gown,
  She was no longer Lady Clare:
  She went by dale, and she went by down,
  With a single rose in her hair.

  The lily-white doe Lord Ronald had brought
  Leapt up from where she lay.
  Dropped her head in the maiden's hand.
  And followed her all the way.

• "If I come dressed like a village maid,
  I am but as my fortunes are:
  I am a beggar born," she said,
  "And not the Lady Clare."

• "If you are not the heiress born,
  And I," said he, "the lawful heir,
  We two will wed to-morrow morn,
  And you shall still be Lady Clare."

[edit] The Princess (1847)

• And one said smiling 'Pretty were the sight
  If our old halls could change their sex, and flaunt
  With prudes for proctors, dowagers for deans,
  And sweet girl-graduates in their golden hair.
  • Prologue, stanza 9.

• A rosebud set with little wilful thorns,
  And sweet as English air could make her, she.
  • Prologue, stanze 10.

• With prudes for proctors, dowagers for deans,
  And sweet girl-graduates in their golden hair.
  • Prologue. Line 141.

• As thro' the land at eve we went,
  And pluck'd the ripen'd ears,
  We fell out, my wife and I,
  O we fell out I know not why,
  And kiss'd again with tears.
  • Pt. II, Song: As Through the Land, l. 1-5.

• And quoted odes, and jewels five-words-long
  That on the stretch'd forefinger of all Time
  Sparkle for ever.
  • Pt. II, l. 355-357.

• Sweet and low, sweet and low,
  Wind of the western sea,
  Low, low, breathe and blow,
  Wind of the western sea!
  Over the rolling waters go,
  Come from the dying moon, and blow,
  Blow him again to me;
  While my little one, while my pretty one, sleeps.
  • Pt. III, Song: Sweet and Low, st. 1.

• Blow, bugle, blow! set the wild echoes flying!
  Blow, bugle! answer, echoes! dying, dying, dying.
  • Part III, line 352.

• The splendour falls on castle walls
  And snowy summits old in story:
  The long light shakes across the lakes,
  And the wild cataract leaps in glory.
  Blow, bugle, blow, set the wild echoes flying,
  Blow, bugle; answer, echoes, dying, dying, dying.
  • Pt. IV, Song: The Splendor Falls, st. 1.

• There sinks the nebulous star we call the sun.
  • Part IV, line 1.

• O love, they die in yon rich sky,
  They faint on hill or field or river:
  Our echoes roll from soul to soul,
  And grow for ever and for ever.
  • Pt. IV, Song: The Splendor Falls, st. 3.

• Unto dying eyes
  The casement slowly grows a glimmering square.
  • Part IV, line 33.

• Dear as remembered kisses after death,
  And sweet as those by hopeless fancy feigned
  On lips that are for others; deep as love,—
  Deep as first love, and wild with all regret.
  Oh death in life, the days that are no more!
  • Part IV, line 36.

• Tears, idle tears, I know not what they mean,
  Tears from the depth of some divine despair
  Rise in the heart, and gather to the eyes,
  In looking on the happy Autumn-fields,
  And thinking of the days that are no more.
  • Pt. IV, Song: Tears, Idle Tears, st. 1.

• Dear as remember'd kisses after death,
  And sweet as those by hopeless fancy feign'd
  On lips that are for others; deep as love,
  Deep as first love, and wild with all regret;
  O Death in Life, the days that are no more.
  • Pt. IV, Song: Tears, Idle Tears, st. 4.

• O Swallow, Swallow, flying, flying South,
  Fly to her, and fall upon her gilded eaves,
  And tell her, tell her, what I tell to thee.
  • Pt. IV, Song: O Swallow, st. 1.

• Man is the hunter; woman is his game:
  The sleek and shining creatures of the chase,
  We hunt them for the beauty of their skins;
  They love us for it, and we ride them down.
  • Pt. V, l. 147-150.

• Man for the field and woman for the hearth:
  Man for the sword and for the needle she:
  Man with the head and woman with the heart:
  Man to command and woman to obey;
  All else confusion.
  • Pt. V, l. 427-431.

• Home they brought her warrior dead:
  She nor swoon'd, nor utter'd cry:
  All her maidens, watching, said,
  "She must weep or she will die."
  • Pt. VI, Song: Home They Brought Her Warrior, st. 1.

• You wrong yourselves — the woman is so hard
  Upon the woman.
  • Pt. VI, l. 205-206.

• Ask me no more: thy fate and mine are seal'd:
  I strove against the stream and all in vain:
  Let the great river take me to the main:
  No more, dear love, for at a touch I yield;
  Ask me no more.
  • Pt. VII, Song: Ask Me No More, st. 3.

• Now sleeps the crimson petal, now the white;
  Nor waves the cypress in the palace walk;
  Nor winks the gold fin in the porphyry font:
  The fire-fly wakens: waken thou with me.
  • Pt. VII, Song: Now Sleeps the Crimson Petal, st. 1.

• Now lies the Earth all Danaë to the stars,
  And all thy heart lies open unto me.
  • Pt. VII, Song: Now Sleeps the Crimson Petal, st. 3.

• Sweet is every sound,
  Sweeter thy voice, but every sound is sweet;
  Myriads of rivulets hurrying thro' the lawn,
  The moan of doves in immemorial elms,
  And murmuring of innumerable bees.
  • Pt. VII, l. 203-207.

• Happy he
  With such a mother! faith in womankind
  Beats with his blood, and trust in all things high
  Comes easy to him; and tho’ he trip and fall,
  He shall not blind his soul with clay.
  • Pt. VII, l. 308-311.

• God bless the narrow sea which keeps her off,
  And keeps our Britain, whole within herself,
  A nation yet, the rulers and the ruled —
  Some sense of duty, something of a faith,
  Some reverence for the laws ourselves have made.
  Some patient force to change them when we will,
  Some civic manhood firm against the crowd.
  • Conclusion, l. 51-57.

[edit] Tears, Idle Tears (1850)

• Tears, idle tears, I know not what they mean,
  Tears from the depth of some divine despair
  Rise in the heart, and gather to the eyes,
  In looking on the happy Autumn-fields,
  And thinking of the days that are no more.
  • St. 1

• Fresh as the first beam glittering on a sail,
  That brings our friends up from the underworld,
  Sad as the last which reddens over one
  That sinks with all we love below the verge;
  So sad, so fresh, the days that are no more.
  • St. 2

• Dear as remembered kisses after death,
  And sweet as those by hopeless fancy feigned
  On lips that are for others; deep as love,
  Deep as first love, and wild with all regret;
  O Death in Life, the days that are no more!
  • St. 4

[edit] Ode on the Death of the Duke of Wellington (1852)

• Bury the Great Duke
  With an empire's lamentation;
  Let us bury the Great Duke
  To the noise of the mourning of a mighty nation;
  Mourning when their leaders fall,
  Warriors carry the warrior's pall,
  And sorrow darkens hamlet and hall.
  • St. I

• Lead out the pageant: sad and slow,
  As fits an universal woe,
  Let the long, long procession go,
  And let the sorrowing crowd about it grow,
  And let the mournful martial music blow;
  The last great Englishman is low.
  • St. III

• Rich in saving common-sense,
  And, as the greatest only are,
  In his simplicity sublime.
  O good gray head which all men knew,
  O voice from which their omens all men drew,
  O iron nerve to true occasion true,
  O fallen at length that tower of strength
  Which stood four-square to all the winds that blew!
  • St. IV

• Yea, let all good things await
  Him who cares not to be great
  But as he saves or serves the state.
  Not once or twice in our rough island-story
  The path of duty was the way to glory.
  He that walks it, only thirsting
  For the right, and learns to deaden
  Love of self, before his journey closes,
  He shall find the stubborn thistle bursting
  Into glossy purples, which outredden
  All voluptuous garden-roses.
  • St. VIII

• Speak no more of his renown,
  Lay your earthly fancies down,
  And in the vast cathedral leave him,
  God accept him, Christ receive him!
  • St. IX

[edit] The Charge of the Light Brigade (1854)

Based upon the military confrontation known as The Charge of the Light Brigade during the Battle of Balaclava of the Crimean War

• Half a league half a league
  Half a league onward
  All in the valley of Death
  Rode the six hundred:
  'Forward the Light Brigade
  Charge for the guns' he said
  Into the valley of Death
  Rode the six hundred.
  • St. 1

• "Forward, the Light Brigade!"
  Was there a man dismay'd?
  Not tho' the soldier knew
  Some one had blunder'd:
  Theirs not to make reply,
  Theirs not to reason why,
  Theirs but to do and die:
  Into the valley of death
  Rode the six hundred.
  • St. 2

• Cannon to right of them,
  Cannon to left of them,
  Cannon in front of them
  Volley'd and thunder'd;
  Storm'd at with shot and shell,
  Boldly they rode and well,
  Into the jaws of Death,
  Into the mouth of Hell
  Rode the six hundred.
  • St. 3

• Storm'd at with shot and shell,
  While horse and hero fell,
  They that had fought so well
  Came thro' the jaws of Death
  Back from the mouth of Hell,
  All that was left of them,
  Left of six hundred.
  • St. 5

[edit] Maud; A Monodrama (1855)

• Perfectly beautiful: let it be granted her: where is the fault?
  All that I saw (for her eyes were downcast, not to be seen)
  Faultily faultless, icily regular, splendidly null,
  Dead perfection, no more.
  • Part I, section ii.

• That jewelled mass of millinery,
  That oiled and curled Assyrian Bull.
  • Part I, section vi, stanza 6.

• One still strong man in a blatant land.
  • Part I, section x, stanza 5.

• And ah for a man to arise in me,
  That the man I am may cease to be!
  • Part I, section x, stanza 6.

• Who shall call me ungentle, unfair,
  I long'd so heartily then and there
  To give him the grasp of fellowship;
  But while I past he was humming an air,
  Stopt, and then with a riding whip,
  Leisurely tapping a glossy boot,
  And curving a contumelious lip,
  Gorgonised me from head to foot
  With a stony British stare.
  • Part I, section xiii, stanza 2.

• Come into the garden, Maud,
  For the black bat, night, has flown,
  Come into the garden, Maud,
  I am here at the gate alone;
  And the woodbine spices are wafted abroad,
  And the musk of the rose is blown.
  • Part I, section xxii, stanza 1.

• For a breeze of morning moves,
  And the planet of Love is on high,
  Beginning to faint in the light that she loves
  On a bed of daffodil sky,
  To faint in the light of the sun she loves,
  To faint in his light, and to die.
  • Part I, section xxii, stanza 2.

• All night have the roses heard
  The flute, violin, bassoon;
  All night has the casement jessamine stirr'd
  To the dancers dancing in tune;
  Till a silence fell with the waking bird,
  And a hush with the setting moon.
  • Part I, section xxii, stanza 3.

• Queen rose of the rosebud garden of girls,
  Come hither, the dances are done,
  In gloss of satin and glimmer of pearls,
  Queen lily and rose in one;
  Shine out, little head, sunning over with curls,
  To the flowers, and be their sun.
  • Part I, section xxii, stanza 9.

• There has fallen a splendid tear
  From the passion-flower at the gate.
  She is coming, my dove, my dear;
  She is coming, my life, my fate;
  The red rose cries, "She is near, she is near;"
  And the white rose weeps, "She is late;"
  The larkspur listens, "I hear, I hear;"
  And the lily whispers, "I wait."
  • Part I, section xxii, stanza 10.

• She is coming, my own, my sweet;
  Were it ever so airy a tread,
  My heart would hear her and beat,
  Were it earth in an earthy bed;
  My dust would hear her and beat,
  Had I lain for a century dead;
  Would start and tremble under her feet,
  And blossom in purple and red.
  • Part I, section xxii, stanza 11.

• A shadow flits before me,
  Not thou, but like to thee:
  Ah Christ, that it were possible
  For one short hour to see
  The souls we loved, that they might tell us
  What and where they be.
  • Part II, section iv, stanza 3.

[edit] The Revenge (1878)

• At Flores in the Azores Sir Richard Grenville lay,
  And a pinnace, like a fluttered bird, came flying from far away:
  "Spanish ships of war at sea! we have sighted fifty-three!"
  Then sware Lord Thomas Howard: "'Fore God I am no coward;
  But I cannot meet them here, for my ships are out of gear,
  And the half my men are sick. I must fly, but follow quick.
  We are six ships of the line; can we fight with fifty-three?"
  • St. 1

• Then spake Sir Richard Grenville: "I know you are no coward;
  You fly them for a moment to fight with them again.
  But I've ninety men and more that are lying sick ashore.
  I should count myself the coward if I left them, my Lord Howard,
  To these Inquisition dogs and the devildoms of Spain."
  • St. 2

• "Shall we fight or shall we fly?
  Good Sir Richard, tell us now,
  For to fight is but to die!
  There'll be little of us left by the time this sun be set."
  And Sir Richard said again: "We be all good English men.
  Let us bang these dogs of Seville, the children of the devil,
  For I never turn'd my back upon Don or devil yet."
  • St. 4

• Sir Richard spoke and he laughed, and we roared a hurrah, and so
  The little Revenge ran on sheer into the heart of the foe,
  With her hundred fighters on deck, and her ninety sick below;
  For half of their fleet to the right and half to the left were seen,
  And the little Revenge ran on through the long sea-lane between.
  • St. 5

[edit] Crossing the Bar (1889)

• Sunset and evening star,
  And one clear call for me!
  And may there be no moaning of the bar,
  When I put out to sea.
  • St. 1

• But such a tide as moving seems asleep,
  Too full for sound and foam,
  When that which drew from out the boundless deep
  Turns again home.
  • St. 2

• Twilight and evening bell,
  And after that the dark!
  And may there be no sadness of farewell,
  When I embark.
  • St. 3

• For though from out our bourne of Time and Place
  The flood may bear me far,
  I hope to see my Pilot face to face
  When I have crossed the bar.
  • St. 4

[edit] The Foresters, Robin Hood and Maid Marion (1892)

• Friends,
  I am only merry for an hour or two
  Upon a birthday: if this life of ours
  Be a good glad thing, why should we make us merry
  Because a year of it is gone? but Hope
  Smiles from the threshold of the year to come
  Whispering 'It will be happier;' and old faces
  Press round us, and warm hands close with warm hands,
  And thro' the blood the wine leaps to the brain
  Like April sap to the topmost tree, that shoots
  New buds to heaven, whereon the throstle rock'd
  Sings a new song to the new year — and you,
  Strike up a song, my friends, and then to bed.
  • Act I, Scene III

[edit] Misattributed

• The happiness of a man in this life does not consist in the absence but in the mastery of his passions.
  • Quoted in A Dictionary of Quotations, in Most Frequent Use by D.E. Macdonnel (1809) translated from French:
    • Le bonheur de l'homme en cette vi ne consiste pas á être sans passions: il consiste à en être le maître.

[edit] About Alfred Tennyson

• The news came to the village — the dire news which spread across the land, filling men's hearts with consternation — that Byron was dead. Tennyson was then about a boy of fifteen.

  "Byron was dead! I thought the whole world was at an end," he once said, speaking of those bygone days. "I thought everything was over and finished for everyone — that nothing else mattered. I remembered I walked out alone, and carved 'Byron is dead' into the sandstone."

  • Anne Isabella Thackeray, Lady Ritchie, Records of Tennyson, Ruskin, and Robert and Elizabeth Browning (1892)

[edit] External links

• Alfred Lord Tennyson's Poetry
• Works of Alfred Lord Tennyson
• Works by Alfred Tennyson, 1st Baron Tennyson at Project Gutenberg
• The Tennyson Page
• Brief biography at Kirjasto (Pegasos)
• Web exhibit at the University of South Carolina
• Brief biography at the Victorian Web
• Biography & Works (public domain)
• Selected Poems at the University of Toronto
• Selected Poems at Poet Seers
• The Twickenham Museum - Alfred Lord Tennyson in Twickenham