Umberto Boccioni

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Umberto Boccioni

Umberto Boccioni (October 19, 1882August 17, 1916) was an Italian painter and sculptor in Futurism. Like other Futurists, his work centered on the portrayal of movement (dynamism), speed, and technology.

Sourced[edit]

  • A time will come when the picture will no longer be enough. Its immobility will become an archaism with the vertiginous movement of human life. The eye of man will perceive colours as feelings within itself. Multiplied colours will not need form to be understood and paintings will be swirling musical compositions of great coloured gases, which, on the scene of a free horizon, will move and electrify the complex soul of a crowd that we cannot yet conceive of. .
    • his lecture ‘La Pittura Futurista’, at the Associazione Artistica Internationale, Rome May 1911; as quoted in “Futurism”, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 55
  • Your eyes, accustomed to semi-darkness, will soon open to more radiant visions of light. The shadows which we shall paint shall be more luminous than the high-lights of our predecessors, and our pictures, next to those of the museums, will shine like blinding daylight, compared with deepest night. We conclude that painting cannot exist today without divisionism… …Divisionism, for the modern painter, must be an innate complementariness which we declare to be essential and necessary.
    • Boccioni, artist quotes; from ‘Manifesto of Futurist Painters’, Boccocione, Carrà, Russolo, April 1910; as quoted in “Futurism”, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 92
  • The time has passed for our sensations in painting to be whispered. We wish them in the future to sing and re-echo upon our canvasses in deafening and triumphant flourishes.
    • ‘Manifesto of Futurist Painters’, Boccioni, Carrà, Russolo, 1912; as quoted in “Futurism”, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 132
  • It will be readily admitted that brown tints have never coursed beneath our skin; it will be discovered that yellow shines forth in our flesh, that red blazes, and that green, blue and violet dance upon it with untold charms, voluptuous and caressing.
    • Boccioni, artist quotes; from ‘Manifesto of Futurist Painters’, Boccioni, Carrà, Russolo, 1912; as quoted in “Futurism”, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 136
  • - If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts od cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture… …These force-lines must encircle and involve the spectator so that he will an a manner be forced to struggle himself with the persons in the picture.
    • ‘Les exposants au public’, Boccioni et al.; exh. Cat. Galerie Bernheim-Jeune & Cie February 1912, p. 8

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