User:Stiligknubbis/Cedric Bixler Zavala
This page is about the singer Cedric Bixler-Zavala from the rockbands At the Drive In, The Mars Volta and the dub-reggaeband De Facto.
Bixler-Zavala about the bandname The Mars Volta[edit]
| “ | The Volta is taken from a Federico Fellini book about his films, what he characterizes as a changing of scene, or a turnaround; a new scene to him is called Volta. Y'know, changing of time and the changeover. And Mars, we're just fascinated by science fiction so and it's something that ultimately looked as in anything I write, its meaning is always up to the listener. As the way we write songs and words, if it looks great on paper then to us it's like painting, so if it looks good meaning the second then people usually have a better interpretation than we ever would.[1] | ” |
Bixler-Zavala in an Interwiew with Drowned In Sound[edit]
What's the idea behind the record?
| “ | We wanted to make the opposite of all the records we've done. All along we've threatened people that we'd make a pop record, and now we have. | ” |
Something deliberately more accessible?
| “ | Well, just for us really. The first song was something that was meant to end up on Bedlam, but I guess it didn't fit. What we wanted to make was an acoustic album. So this is our version of that, but obviously not sticking to the rules. It's always good to get rid of one audience to gain another. The old audience always knows what to expect. And I'm sure whatever audience comes from this album, we'll disappoint them with the next record. | ” |
So you want a challenge for the fans who only want twenty minute guitar solos and no choruses?
| “ | We did have choruses before, just the libraries of music in people's heads are so undeveloped that their ideas of choruses are training wheels and the Bay City Rollers. | ” |
In terms of your career as a whole, is this going to be as 'pop' as The Mars Volta ever get?
| “ | I don't know what's going to happen. The next record might be a combination of everything we've done so far. At the same time Omar's releasing an album called Cryptomnesia with the drummer Zac Hill... | ” |
From Hella?
| “ | Yeah exactly, so if anyone's bummed that The Mars Volta record's too simple or too pop, they can buy that album and it'll take them right back to that kind of sound. It's one of my favourite things I've ever worked on. It's pretty much a Mars Volta record, just without Thomas, Ikey, and Marcel. With Volta [Octahedron] was just our acoustic record that turned into our pop record. | ” |
And is it a concept record?
| “ | Not really. I thought it was going to be but never really got around to writing about anything in particular. Just a lot of instant song composing and regular themes that I wouldn't even want to elaborate on... | ” |
Surely there imagery that stuck in your mind throughout the lyric writing process?
| “ | ...kidnappings, vanishings, 'what if' scenarios about how to get Republicans out of the White House if they'd got in. | ” |
What have you been listening to that influenced it?
| “ | A lot of Scott Walker ballads, ballads from Roky Erickson and the Raspberries. | ” |
Your lyrical vocabulary seems a lot more down to earth too.
| “ | Yeah, probably. But you think I'm saying something and then you read the actual lyric and realise it's pretty bent out of shape. What people need to understand is that we've been doing this for almost ten years now and everything we do is just our way of making things interesting for the band. | ” |
Looking at the number of solo albums Omar makes, he's clearly constantly writing. In terms of songs, how does he differentiate what's for one of his own records and what's for the band?
| “ | Some stuff he just feels passionately about, and that's for Volta. Or I'll stick my head around the door and ask if we can use something for the band. | ” |
And can we expect a Cedric solo album any time soon?
| “ | Yeah, there's a lot of music that's ready. I just need to get around to singing on all of it. I've been working a lot with a friend of mine called Deantoni Parks, a drummer who's spent time with like, Tom Waits and John Cale. He plays in this band Kudu who are pretty much a modern version of Vanity Sticks, and he toured with Volta for a while. Omar's made a couple of electronic records with him. He's known as like the live drummer that can sound like a machine. | ” |
There's that sort of electronic sound that comes through subtly on Octahedron, especially on tracks like 'Copernicus'...an almost '90s Warp vibe in parts. Can we expect more of that on future Mars Volta stuff?
| “ | Yeah, I'd definitely push for more of that. | ” |
What about the live shows for this record? Are they going to be lighter too?
| “ | I reckon we'll play the majority of the record and then we'll probably end the set with some of the older stuff that we can include improvisation on. I think the game plan is to play all the new stuff as individual songs, unless something opens up and we recognise it as a spot to fool around with. | ” |
And after almost ten years in the band, do you think it'll be going for another ten?
| “ | Yeah definitely, especially being around the people in the band right now just excites me. Plus, to have as much time off as we've had from it... it's a good break to remind you what you love doing. I love it and I'll always love it. It's the one outlet I have that won't get me arrested or get me in trouble. I can get away with it. I don't know if I could collaborate with many other people. The closest thing I've found to like-minded people is when we curated ATP. | ” |
That was the first ATP I ever went to. It blew my mind, you had everything going on from Acid Mothers Temple to Saul Williams to Lydia Lunch to Peanut Butter Wolf...
| “ | I was so excited that everyone would even say yes to sharing the stage. Mastodon, Diamanda [Galas], Antony [Hegarty]... I felt like a little kid, and I don't even know if we deserved it, but I've always thought ours was the most diverse so far. Hopefully Barry will let us do it again... | ” |
They'll probably be up for paying you a lot to reform 'At The Drive-In', like they did with Sleep at few weekends ago.
| “ | Oh yeah, they do that right? [laughter] | ” |
But I take it you probably won't be accepting any offers on that front any time soon?
| “ | I don't know what to say about that really. We've been making amends with a lot of the members and having some really good talks with them. And we've been trying to get our financial business in order because a lot of people have been ripping off that band really badly... as far as the business side goes. I wouldn't mind it. Y'know, it might happen, we just have to iron out a lot of personal things. A lot of it we've dealt with already and I've apologised for a lot of things I've said and the way it ended... we'll see what happens. | ” |