White Collar (TV series)

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White Collar (2009–present) follows the adventures of a con man out of prison on work release assisting the FBI's White Collar Crime Unit.

Contents

[edit] Season 1

[edit] Pilot [1.01]

Peter: [speaking to the prison warden] I know I spent three years of my life chasing him, and you let him walk out the front door.

Peter: I work hard. I do my job well. And I don't have a ten million dollar view of Manhattan that I share with a 22 year old art student while we sip espresso!
Neal: Why not?
Peter: Why not?! Because I'm not supposed to. The amount of work I do equals certain things in the real world. Not cappuccino in the clouds.
Neal: Look, I will find out where June buys her coffee if it's that important.
Peter: It's not about the coffee.
Neal: I think it is.
Peter: No it's not. [pause] This is what gets you into trouble. This is the start of those something-for-nothing schemes that lead to the frauds that got you locked up.
Neal: I think it's some sort of Italian roast.
Peter: Get in the car.

[Neal is trying to help Peter with plans for his anniversary.]
Peter: No, you don't get to lecture me about relationships. My wife didn't change her identity and flee the country to get away from me. [Neal looks stricken.] That was harsh, I didn't mean that.
Neal: Yeah you did. [Peter doesn't argue.] Did she really flee the country?
Peter: I don't know.
Neal: France, did she go to France?
Peter: I don't know!

Neal: You only know the guys that get caught. They're the second best criminals.
Peter: What's that say about you?
Neal: It says that there's an exception to every rule.

[edit] Threads [1.02]

Neal: No, Peter, menacing. You look like someone whose kid just struck out.


Neal: (After putting sunglasses on Peter) Now say, 'I'll be back'
Peter: No.

[edit] Book of Hours [1.03]

[a known criminal knocks on the door of a FBI stake-out van]
Man: Are you the FBI?
Jones: Yes?

[edit] Flip of the Coin [1.04]

[Peter is meeting Mozzie for the first time]
Peter: I thought you would be taller.
Mozzie: Me too.

[edit] The Portrait [1.05]

[Neal shows up at Peter's house in the middle of the night]
Peter: This had better be good.
Neal: I took the painting. [Peter glares at him] I wasn't gonna... [Peter holds up his hand] I did it for... [Peter stops him again] We can use it to catch Dorsette, he doesn't know I work for you.
Peter: We'll set it up tomorrow. Now get the hell out of my house.
Neal: [leaving] Goodnight, Elizabeth.
Elle: Goodnight, Neal. [walks over to Peter] Well, he told you the truth about the painting.
Peter: Because they threatened Trayn.
Elle: It's a step.
Peter: Yeah, it's a step.

[edit] All In [1.06]

[Neal and Peter are looking through a warehouse]
Neal: I think I just saw the Ark of the Covenant back there.
Peter: If my face melts, let me know.

[Peter is pacing angrily]
Neal: I never lied to Peter.
Elle: You did leave a few things out.
Neal: You don't understand; I have to find Kate.
Elle: My husband desperately wants to trust you and you keep giving him reasons not to. You're on your own on this one, Neal.
Neal: No, wait, please don't go. [Elle stands up and leaves]
Neal: [to Peter] Now what?
Peter: Now I wouldn't take you off this case if I could.

[edit] Free Fall [1.07]

Neal: [about his mugshot] I never liked this picture.
Peter: It's not that bad.
Neal: It's better than my driver's license.
Peter: Which one? You have several. [Neal looks at him] Okay, one crime at a time.

Peter: Hello, Kate.
Kate: Hello, Peter. [turns on light]
Peter: We need to talk about Neal.

[edit] Hard Sell [1.08]

[Neal and Mozzie are playing chess and Mozzie compares Neal's life to the chess game with Kate as the queen and Neal as a pawn]
Mozzie: I'm the bishop in case you were wondering.
Neal: I wasn't.
Mozzie: Ok.

[edit] Bad Judgment [1.09]

Neal: Aw, you're not comfortable around the six year old.
Peter: I don't speak their language.
Neal: I do?
Peter: Yeah, you do. Come on, Peter Pan.

Peter: Ok, we stop the judge from taking the Sullivan home. Then we get her disrobed. [Neal raises his eyebrows] You know what I meant... If we lean on her hard enough, she'll flip on Fowler. [Neal smirks and walks away] You know what I meant! ...That's not what I meant...

[Neal forges Peter's signature perfectly]
Peter: How did you do that?
Neal: Well, your hand is programmed over years to write letters a certain way. Try to mimic someone else's, and your style will always creep in. But, turn the signature upside down and it becomes nothing more than a drawing, all you have to do is copy the lines. The preconceptions about letters go away and you have a perfect signature.
Peter: That's a neat trick. Don't ever copy mine again.
Neal: Never again.
Peter: You have copied my signature.
Neal: Let's... focus on the crime at hand.

Elizabeth: I don't think he bugged the dog.
Moz: Amateur.

Peter: She's taking advantage of the system.
Neal: I hate when people take advantage of the system. Now... that I work for the system, of course.

[edit] Vital Signs [1.10]

Mozzie: A New Yorker who does not take the subway is not a New Yorker you can trust.
Neal: I don't take the subway.
Mozzie: Precisely.

Neal: You do realize you have to flirt with her for the rest of the afternoon now, right? Should be a fun story to tell Elizabeth over breakfast.

Elizabeth: Honey?
Peter: Yeah?
Elizabeth: What is this?
Peter: I was going to talk to you about that... That is part of an undercover job I was working. And part of the cover was that I had to talk to another woman.
Elizabeth: Must have been quite the conversationalist.
Peter: I had to flirt with her so Neal could get closer to the target.
Elizabeth: Isn't it usually the other way around?
Peter: She chose me.
Elizabeth: You had to seduce another woman?
Peter: No! No! I just had drinks with her. Nothing happened El, I swear! Are you laughing? You're laughing.
Elizabeth: You had to flirt? You hate flirting!

Neal: Out of all the people in my life—Mozzie, even Kate, you know—you're the only one.
Peter: "The only one," what?
Neal: The only person in my life I trust.

[Peter has a surveillance tape of Neal sneaking into a building]
Neal: [drugged and loopy] You stole that for me?
Peter: Yeah. It's a regular Kodak moment.

[edit] Home Invasion [1.11]

[Neal has indicated that Peter is no longer a welcome house guest]
Peter: Is this because I ran prints on Alex?
Neal: It's for so many reasons.

[edit] Bottlenecked [1.12]

Peter: Manuel Campos just died in ICU. His wife's a mess. Says she didn't see the driver. NYPD's out of leads. Tell me who's responsible for this.
Neal: His name's Matthew Keller. He's the blue-collar version of me.

[edit] Front Man [1.13]

[edit] Out of the Box [1.14]

[Peter arrives at Neal's apartment to find Alex and Mozzie there too]
Peter: Look at this, all the usual suspects in the same place; makes my job much easier. What are you kids up to?
Alex: We were just leaving.
Peter: I'm sure you were.
[Mozzie and Alex leave]
Peter: You met with Fowler and now Alex and your little buddy are here: you've got your whole crew together to steal the box. Tell me I'm wrong.
Neal: [shrugs] You're wrong?
Peter: I don't understand you. I gave you something good here and you're about to blow it. I gave you a shot at a better life.
Neal: It's not the life I want.
Peter: We all have our weaknesses. Kate's yours.

Mozzie: "We feel free when we escape—even if it be but from the frying pan into the fire." [Cuts Neal's anklet] No sirens.
Neal: Into the fire then.

Peter: You said good-bye to everyone but me. Why?
Neal: I don't know.
Peter: Yeah, you do. Tell me.
Neal: I don't know, Peter.
Peter: Why?
Neal: You know why!
Peter: Tell me!
Neal: Because you're the only one that could change my mind!

[A beat passes. Tears are tracking down Neal's face. Peter's eyes are bright with them as well.]

Peter: Did I?

[After a moment glancing between Kate, who is waiting on the plane, and Peter, a visibly distraught Neal turns & walks away. After a few steps, he takes a hard breath and turns back to face Peter.]

Neal: Peter...

[The plane behind Neal explodes.]

[edit] Season 2

[edit] Withdrawal [2.01]

Neal: Hell hath no fury like a fed scorned.

[edit] Need to Know [2.02]

[edit] Copycat Caffrey [2.03]

[edit] By the Book [2.04]

Peter: Where's the little guy?
Neal: Mozz!
[Mozzie walks up to stand next to Neal]
Peter: You two can fill me in from the beginning back at the Bureau! [walks away angrily]
Mozzie: He wants me to go to the Bureau?
Neal: Yeah, Mozz, if you want the FBI's help you have to go to the Bureau.
Mozzie: Do you know what they do to guys like me at the Bureau?
Neal: [pulls up his pant leg to show his tracking anklet] Yeah, Mozz, I do.

[edit] Unfinished Business [2.05]

Sara: Nothing’s changed. I’m dead. And the city looks the same.
Neal: As far as the world knows, you’re no longer in it, but it keeps turning

Sara: What do you want from me, Caffrey?
Neal: Who says I want anything?
Sara: I do. You’re a con man. You smile for a living. And you’re smiling at me right now, so I know that you want something.
Neal: All right. I would love… For you to pass me that fortune cookie. You first.
Sara: Apparently excitement and intrigue follow me. How about you?
Neal: I make delicious soups.

=== In the Red [2.06] ===¨ Peter Burke- speaks in the first part

[edit] Prisoner's Dilemma [2.07]

[edit] Company Man [2.08]

[edit] Point Blank [2.09]

Peter: [to Neal] You're a liability, you're benched.
Neal: You can't pull me off this, Peter.
Peter: I can do whatever I want with you.

Mozzie: We all grow up.
Mozzie's contact: All children [looks at Neal] 'cept one.

[edit] Burke's Seven [2.10]

[edit] Forging Bonds [2.11]

[edit] What Happens In Burma... [2.12]

Neal: You just burned a perfectly good alias!
Peter: And you named me after my dog.
Neal: Touché

[edit] Countermeasures [2.13]

Peter: I'm not comfortable with this.
Neal: You're not comfortable? I've got the Men In Black bobsled team breathing down my neck.

[edit] Payback [2.14]

[edit] Power Play [2.15]

[edit] Under The Radar [2.16]

Neal: Peter... in case we don't make it, I just want you to know...
Peter: I know. Me, too.

[edit] Season Three

[edit] On Guard[3.01]

[edit] Where There's a Will[3.02]

[edit] Deadline[3.03]

[edit] The Dentist of Detroit[3.04]

[edit] Veiled Threat [3.05]

Sara: What’s the grand prize on this?
Neal: I get to take a very lovely, very dangerous woman out on a date.
Sara: It’s nothing you can’t handle.
Neal: Thanks to you.
Sara: Ah, we actually have never been on a date.
Neal: Peter and Elizabeth’s house.
Sara: Dinner date, not date-date.
Neal: Define date-date.
Sara: One on one.
Neal: What about lunches?
Sara: Lunch is not romantic, lunch is lunch!
Neal: …we’ve never been on a real date.

[edit] Scott Free[3.06]

[edit] Taking Account[3.07]

[Peter, Neal & Mozzie are all in Peter's car waiting for contact from the superhacker, "Vulture". Vulture contacts them by text messages, which are read aloud by Peter's car's Bluetooth device.]

Vulture: Send out the handsome one.

[Peter & Neal both shrug. Neal starts to get out.]

Vulture: The one in the back.
Mozzie: Consider that a lesson in modesty.

Sara: My apartment is fully under construction so until I pull my next commission check…
Neal: You could stay with me. You know, until this is cleared up.
Sara: Uh — At June’s? You sure that’s a good idea?
Neal: Well, it’s not the Four Seasons, but… I can bring you food on a little cart.
Sara: Okay.
Peter: I remember when Elizabeth moved in.
Neal: No. No. This is temporary.
Peter: Yep. So was El.

Neal: These past few days ,they reminded me of the Palazzo Sasso, they have been perfect.
Sara: You´re really hung up on that hotel
Neal: It wasn´t just the hotel, it was a time of my life when I had everything I was looking for, freedom, excitement, comfort, and the right people to share it with.
Sara: You think this may be one of those moments?
Neal: What if I told you that we could keep living like this?

[edit] As You Were[3.08]

Neal: Cryptic postcards from old friends mean trouble. [Peter looks sharply at Neal.] In my experience.

Clinton Jones: So... I gotta ask: what does "having all" mean to Neal Caffrey?
Neal: Never having to worry about money. Doing something meaningful with people I respect.
Jones: [chuckling] Screw you.
Neal: Screw me?
Jones: Yeah... screw you. You're already living the dream.
Neal: No, I'm not-!
Jones: Yes! Yes, you are. You are the damn dream with a tracking anklet.
Neal: Yeah... well, screw you, too, then. 'Cause you've got the same things I do.

Neal: How'd you get a warrant?
Peter: I have a friend in the U.S. Attorney's office... and I bought a boatload of her kid's band candy.
Neal: You can never have too much band candy.
Peter: Yeah... I just wish they had something besides those damn chocolate bars.

[Sara found out about Neal’s treasure]

Neal: What’s going on? Are you leaving?
Sara: The renovations on my apartment are far enough along, that I can move back in.
Neal: Doesn’t mean you have to head out right this second.
Sara: Neal. I’m leaving, Done.
Neal: A few hours ago, we were fine. And now you’re walking out? What Happened?
Sara: Well, the inevitable happened, Neal. I mean, we didn’t think this was gonna last.
Neal: I didn’t know we were a fait accompli.
Sara: Come on. This was fun .. But we’re two very different people.
Neal: Oh, come on, Sara, you’ve always known who I am.
Sara: Yeah, you’re right.
Neal: Okay .. I guess you figured out everything I have to offer. We could be good together.
Sara: [sighs] I know … Neal, you live in the clouds… And I live on West 69th.
Neal: I never promised you anything else.
Sara: I know.
Neal: Well, you found your way out.
Sara: I’ll figure out the rest of my things.
Neal: Yeah.
Sara: Caffrey, please take care of yourself.

[Satchmo comes into the Burkes' bedroom, where Neal is attempting to crack Peter's wall safe, and whines at him.]

Neal: Don't look at me like that.

[edit] On The Fence[3.09]

[edit] Countdown

(Neal opens a door and Peter reaches into his pocket and takes out a set of lock picks)
Peter: What are you planning on using these for?
Neal: (smiles) Always be prepared right?
Peter: Yeah (grabs Neal by the arm and pulls him inside with him and talks to security) I have a hostile witness on my hands, do you have a holding room or office I can leave him while I conduct my business upstairs?
Guard: Yeah, right here.
Neal: Come one, Peter, you cannot lock me in here-
Peter: (closes and locks the door on a still-protesting Neal) Watch me.

[edit] Cast

[edit] External links

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