Lead Belly
Huddie William Ledbetter (/ˈhjuːdi/ HYOO-dee; January 1888 or 1889 – December 6, 1949), better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines" (also known as "Where Did You Sleep Last Night?"), "Pick a Bale of Cotton", "Goodnight, Irene", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot.
Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, Jack Johnson, the Scottsboro Boys and Howard Hughes. Lead Belly was posthumously inducted into the Rock and Roll Hall of Fame in 1988 and the Louisiana Music Hall of Fame in 2008.
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Quotes about Lead Belly
[edit]- There has been no more potent embodiment of that spirit than the singer Huddie Ledbetter, known as ‘Leadbelly’. Ordinary he wasn’t: born in rural Texas in c.1888, regal in bearing and strong as an ox, he claimed to be the world’s greatest cotton picker, railroad track layer, lover, drinker and guitar player. His pride was matched by a temper and disposition to violence, resulting in spells in prison for assault and murder. And it was in 1933, in the Louisiana State Penitentiary, that he was discovered by folksong collectors John and Alan Lomax. Under the sponsorship of the Lomaxes, Leadbelly began his rise to stardom, benefiting from the gathering vogue for trad jazz and rugged authenticity. He gave concerts across the US and Europe, dying in New York in 1949. Though the strictest arbiters exclude his work from the jazz canon, it’s hard not to recognise his vital link to the essential force of the music.
