Noise rock
Noise rock (sometimes called noise punk) is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Quotes about noise rock
[edit]- What I call "proper" noise rock [is] defined by: a lo-fi or inexpert recording; a slow, sludgy tempo; the distinct feeling that some or all of the band are fans of heavy metal and/or 70s hard rock; and a lowbrow outlook, albeit perhaps with an ironically raised eyebrow.
- Noel Gardner of The Quietus (March 30, 2016) [1]
- Grind. Skronk. Pigfuck. Seemingly every word associated with noise rock sounds incredibly unflattering out of context, and even in context doesn’t fare much better. Before noise rock had a name, rock critics such as Lester Bangs and Robert Christgau came up with their own suitably unpleasant ways of describing the tortured sounds of music oozing out of the American underground in the late ’70s and early ’80s. Out of the roots of hardcore and punk slithered something much nastier and much noisier. That vile beast is the sound we now know as noise rock.
- It’s hard to pinpoint exactly when the term “noise rock” was coined. It’s not a buzzy catchphrase like “shoegaze” or “krautrock.” It’s simply two ideas smashed together — noise and rock, the marriage of conventional rock structures and melodies with the techniques of experimental noise music. It’s arguably an oversimplified, generic way to describe a style of music, but after decades of eardrum trauma, notoriety and musical stunts, “noise rock” speaks volumes.
