Karl Kraus

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My unconscious knows more about the consciousness of the psychologist than his consciousness knows about my unconscious.

Karl Kraus (1874-04-281936-06-12) was an Austrian journalist, satirist, essayist, aphorist, playwright and poet.

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  • There are women who are not beautiful but only look that way.
    • Sprüche und Widersprüche (Dicta and Contradictions) (1909); as translated by Richard Hanser
  • What is the Ninth Symphony compared to a Tin Pan Alley hit played on a hurdy-gurdy and a memory?
    • Sprüche und Widersprüche (Dicta and Contradictions)
  • Love and art do not embrace what is beautiful but what is made beautiful by this embrace.
    • Beim Wort genommen (1955); as translated by by Harry Zohn
  • Die Literatur von heute sind Rezepte, die die Kranken schreiben.
    • Today’s literature is prescriptions written by patients.
      • Karl Kraus, Nachts, 2, „Kunst”
  • Meine Sprache ist die Allerweltshure, die ich zur Jungfrau mache.
    • My language is the common prostitute that I turn into a virgin.
      • Karl Kraus, Pro Domo et Mundo, 7, „Pro Domo et Mundo”
  • Der Fortschritt feiert Pyrrhussiege über die Natur.
    • Progress celebrates Pyrrhic victories over nature.
      • Karl Kraus, Pro Domo et Mundo, 7, „Pro Domo et Mundo”
  • Culture is the tacit agreement to let the means of subsistence disappear behind the purpose of existence.
    • Karl Kraus, “In these great times,” Harry Zohn, trans., In These Great Times (Montreal: 1976), pp. 73-74
  • Progress … has subordinated the purpose of life to the means of subsistence and turned us into the nuts and bolts for our tools.
    • “In these great times,” Harry Zohn, trans., In These Great Times (Montreal: 1976), pp. 73-74
  • The tyranny of necessity grants its slaves three kinds of freedom: opinion free from intellect, entertainment free from art, and orgies free from love.
    • “In these great times,” Harry Zohn, trans., In These Great Times (Montreal: 1976), p. 74
  • We are sacrificing ourselves for our ready-made goods; we are consumers and live in such a way that the means may consume the end.
    • “In these great times,” Harry Zohn, trans., In These Great Times (Montreal: 1976), p. 74
  • The aesthete stands in the same relation to beauty as the pornographer stands to love.
    • Die Fackel #406, October 5, 1915, p. 138

[edit] Die Fackel

Quotations from Die Fackel as translated in Anti-Freud: Karl Kraus’s Criticism of Psychoanalysis and Psychiatry (1976) by Thomas Stephen Szasz
  • An aphorism can never be the whole truth; it is either a half-truth or a truth-and-a-half.
  • Sexuality poorly repressed unsettles some families; well repressed, it unsettles the whole world.
  • The esthete stands in the same relation to beauty as the pornographer stands to love, and the politician stands to life.
  • My unconscious knows more about the consciousness of the psychologist than his consciousness knows about my unconscious.
    • Die Fackel no. 445/53 (18 January 1917)
  • War: first, one hopes to win; then one expects the enemy to lose; then, one is satisfied that he too is suffering; in the end, one is surprised that everyone has lost.
    • Die Fackel no. 46 (9 October 1917)

[edit] Half-Truths and One-And-A-Half Truths (1976)

Half-Truths and One-And-A-Half Truths: Selected Aphorisms (1990) as translated by Harry Zohn
  • Science is spectral analysis. Art is light synthesis.
  • I hear noises which others don't hear and which disturb for me the music of the spheres, which others don't hear either.
  • Many share my views with me. But I don't share them with them.
  • It so often happened to me that someone who shared my opinion kept the larger share for himself that I am now forewarned and offer people only ideas.
  • Moral responsibility is what is lacking in a man when he demands it of a woman.

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