I think that being isolated from the Hollywood world of premieres and red carpet events was probably good for me because I could ease into those at will and by my own choice. But in other aspects, when it comes to fanfare Hawaii is nuts and in L.A. they're all so jaded. They don't care. They see another star and it's like, 'oh yeah, we've seen a hundred of them before. You're a dime a dozen'. Which is a little bit easier to deal with.
The only way to want millions of people invading your life is to be off your rocker. This industry is conducive to cuckoo. It likes cuckoo. It encourages cuckoo. I've had to find my sanity.
I’m very proud of being a woman, and as a woman, I don’t even like the word feminism because when I hear that word, I associate it with women trying to pretend to be men, and I’m not interested in trying to pretend to be a man. I don’t want to embrace manhood, I want to embrace my womanhood.
It’s funny, because there’s a lot of fear in Hollywood about ever being typecast, and I kind of feel like, “Man, if you’re going to be typecast, what better to be typecast as a kick-ass chick?” I try to put my stamp on these strong female characters, which is the idea that they’re strong because of their compassion, they’re strong because of their vulnerability, they’re strong because of their emotion and they’re strong in spite of their fear. And that’s why I do get involved very heavily in the creative process because I think it’s a dangerous trap that sometimes male writers can find themselves getting into where they’re trying to create a strong woman, but they actually don’t know what female strength looks like. They don’t know what it means and so they create strength that looks manly. And I think it’s really important that young women and women of all ages see female characters that represent true femininity and that that isn’t weak, but that’s strong.
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