Alessandro Manzoni
Alessandro Francesco Tommaso Manzoni (7 March 1785 – 22 May 1873) was an Italian novelist, poet, dramatist and critic, most famous for his novel I promessi sposi (The Betrothed).
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Quotes
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- Non sempre ciò che vien dopo è progresso.
- What comes after is not always progress.
- "Del romanzo storico" (1850), in Andrea Tagliapietra (ed.) La storia e l'invenzione (Milano: Gallone, 1997) p. 64; Sandra Bermann (trans.) On the Historical Novel (Lincoln: University of Nebraska Press, 1984) p. 113
- What comes after is not always progress.
The Betrothed (1827; 1842)
[edit]- I promessi sposi, [The Betrothed]; Manzoni's first version of this story was written between April 1821 and September 1823 and titled Fermo e Lucia. He then heavily revised and finished it as Gli sposi promessi in August 1825; after two years of corrections and proof-checking, it was first published as I promessi sposi in 1827. Manzoni afterwards revised this into the dialect of Florence for the final revision published in 1842. English quotations and page-numbers are taken from the translation of Archibald Colquhoun (1956), unless otherwise indicated. · The Betrothed (1834), as published by Richard Bentley
- All'avvocato bisogna raccontar le cose chiare: a noi tocca poi a imbrogliarle.
- È uno de' vantaggi di questo mondo, quello di poter odiare ed esser odiati, senza conoscersi.
- Ma la pratica generale ha voluto che [la condizione di non dir nulla a nessuno] obblighi soltanto a non confidare il segreto che ad un amico egualmente fidato, e imponendogli la condizione medesima. Così d'amico fidato in amico fidato, il segreto gira e gira per quella immensa catena, tanto che giunge all'orecchio di colui o di coloro a cui il primo che ha parlato intendeva appunto di non lasciarlo giunger mai.
- The general practice is for the secret to be confided only to an equally trustworthy friend, the same conditions being imposed on him. And so from trustworthy friend to trustworthy friend the secret goes moving on round that immense chain, until finally it reaches the ears of just the very person or persons whom the first talker had expressly intended it never should reach.
- Ch. 11, p. 155
- The general practice is for the secret to be confided only to an equally trustworthy friend, the same conditions being imposed on him. And so from trustworthy friend to trustworthy friend the secret goes moving on round that immense chain, until finally it reaches the ears of just the very person or persons whom the first talker had expressly intended it never should reach.
- Ma cos'è mai la storia, diceva spesso don Ferrante, senza la politica? Una guida che cammina, cammina, con nessuno dietro che impari la strada, e per conseguenza butta via i suoi passi; come la politica senza la storia è uno che cammina senza guida.
- But what is history, Don Ferrante would often say, without politics? A guide who walks on and on with no one following to learn the road, so that his every step is wasted; just as politics without history is like a man who walks along without a guide.
- Ch. 27, p. 374
- Variant translation:
- "But," said he often, "what is history without politics? a guide who conducts without teaching any one the way; as politics without history, is a man without a guide to conduct him."
- Richard Bentley translation (1834)
- But what is history, Don Ferrante would often say, without politics? A guide who walks on and on with no one following to learn the road, so that his every step is wasted; just as politics without history is like a man who walks along without a guide.
Quotes about Manzoni
[edit]- The truly historical character – also and perhaps even above all from the point of view of civil, social and ethical history: “national identity”, as we would say today – of Camporesi's reading of Artusi is particularly highlighted and, so to speak, summarised in the famous statement by Camporesi that “”'Science in the Kitchen'“ did more for national unification than ”'I Promessi Sposi . Artusi's tastes, in fact, succeeded in creating a code of national identification where Manzoni's stylistic and phonetic features failed.
- Franco Cardini, from the foreword to Il libro dei vagabondi. Lo "Speculum cerretanorum" di Teseo Pini, "Il vagabondo" di Rafaele Frianoro e altri testi di "furfanteria", edited by Piero Camporesi, pp. XXIV-XXV, Garzanti, Milan, 2007. ISBN 978-88-11-59719-3.
- Writer Alessandro Manzoni (1785–1873) is the famous Italian author of the novel “I promessi sposi,” whose title in English is “The Betrothed.” The definitive edition was published between 1840 and 1842. Later in life, he authored an essay entitled “La Rivoluzione francese del 1789 e la rivoluzione italiana del 1859,” or “The French Revolution of 1789 and the Italian Revolution of 1859.” He composed it between 1862 and 1864, revising it repeatedly and leaving it unfinished. It appeared posthumously in 1889.
In this text, he delivers a forceful indictment of the French Revolution (1789–1799). One of the sharpest and wittiest critiques he penned is addressed to the philosopher Jean-Jacques Rousseau (1712–1788) and to Emmanuel Joseph Sieyès (1748–1836). The first is considered one of the most influential thinkers of the time that preceded and prepared the French Revolution. The latter, a defrocked priest who later passed through several opportunistic party switches, was one of the most able ideologues of the period. Both are responsible for elaborating what can easily be called the doctrine of the “general will.”- Marco Respinti, "Media and the Manufacture of Truth: The Tai Ji Men Case in Light of Alessandro Manzoni", Bitter Winter (May 8, 2026)
