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There is a mindset in Bollywood that doesn't let Indic ideas flourish. ~ Vivek Agnihotri

Hindi cinema, often known as Bollywood and formerly as Bombay cinema, is the Indian Hindi-language film industry based in Mumbai (formerly Bombay). The term is a portmanteau of "Bombay" and "Hollywood". The industry is related to Cinema of South India and other Indian film industries, making up Indian Cinema – the world's largest by number of feature films produced.


  • That day I learnt that in the big fat world of Bollywood, the problem isn’t whether the pyramid should be inverted or not. The problem is there isn’t any pyramid. ... In Bollywood, stars don't support small, meaningful cinema. They are more inclined to support a leave-your-brains-at-home kind of cinema, if only it can be called cinema. ... There is a mindset in Bollywood that doesn't let Indic ideas flourish.
  • Sadly, Bollywood doesn’t invest in R&D. That’s why most of our films have no insights to offer. As a result, small, independent films have become the R&D lab for the Indian film industry. These films have to do an extraordinary research, for their only strength is transporting the audience to another universe, where they can feel and relate with the characters, their concerns, and their behaviour. In the mainstream films, the world is unreal, devoid of any real human concern, and the characters are like caricatures. Hence, this kind of cinema ends up becoming ‘Escapist Cinema’. Like a circus.
  • [Marathi film actress Asha Kale] was popular in Marathi films and known for her extremely "sojwal" (i.e. saintly, goody-goody, suffering doormat, weepy) roles. In this rally, Asha Kale addressed the crowd and revealed her extreme repugnance to injustice and to the very saintliness she was compelled to play in films. She pointed out that often when she played these extremely "sojwal" roles, she actually felt very humiliated and depressed at having to depict "saintly" women who encouraged abuse and injustice by tolerating it in a doormat manner, and (or so she claimed) actually shed tears over this after returning home from the day's shoot.
    • Shrikant Talageri, "Justice" in Sohrab Modi’s 1939 Film “Pukar” and Related Issues , Tuesday, 24 September 2019 [1]

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