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Edmund Yates

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Edmund Hodgson Yates (3 July 1831 – 20 May 1894) was a British journalist, novelist, playwright, editor, lecturer, and publicist. Yates, a close friend of Charles Dickens, was involved in a famous literary feud that pitted Dickens and Yates against William Makepeace Thackeray.

Quotes

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  • Seriously, Frank Churchill, it's time you began to look after a wife. In our profession, especially, it's the greatest blessing to have some one to care for and to be petted by in the intervals of business-strife. There used to be a notion that a literary man required to be perpetually 'seeing life,' which meant 'getting drunk, and never going home;' but that's exploded, and I believe that our best character-painters owe half their powers of delineation to their wives' suggestions. Women,—by Jove sir!—women read character wonderfully.

Edmund Yates: His Recollections and Experiences, Vol. I (1884)

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  • Gone is Smithfield, with its very wide open pens and cattle-hutches; and gone with it is a good deal of the scandal of driving the wretched beasts through the streets, and whacking and torturing them in the most dreadful fashion. Enormous hordes of cattle for Smithfield Monday market, then—not as now, sent up by rail, bur driven long tedious journeys—used to arrive at Highgate on the Saturday, and pass the Sunday in the fields let out for the purpose.
  • In those days, too, we used to lunch at places which seem entirely to have disappeared. The "Crowley's Alton Alehouse" is not so frequently met with as it was thirty years ago. The "alehouses" were, in fact, small shops fitted with a beer-engine and a counter; they had been established by Mr. Crowley, a brewer of Alton, on finding the difficulty of procuring ordinary public-houses for the sake of his beer; and at them was sold nothing but beer, ham sandwiches, bread and cheese, but all of the very best.
  • But far the best of all these panoramic shows was the series exhibited at the Old Gallery of Illustration in Waterloo Place, called "The Overland Route," and representing all the principal places between Southampton and Calcutta. This was the work of those admirable scene-painters, Thomas Grieve and William Telbin, and was executed in their painting-rooms in Charles Street, Drury Lane, a notorious thieves' quarter. The human figures were by Absolon, the animals by Herring and Harrison Weir. Such a combination of excellence had never seen, and a clear, concise, and most pleasantly delivered descriptive comment on the passing scene by Mr. Stocqueler, an author and journalist of the day, enhanced the success, which was tremendous.

Edmund Yates: His Recollections and Experiences, Vol. II (1884)

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  • ... No one succeeds better than Mr. Thackeray in cutting his coat according to his cloth. Here he flattered the aristocracy; but when he crossed the Atlantic, George Washington became the idol of his worship, the "Four Georges" the object of his bitterest attacks. These last-named lectures have been dead failures in England, though as literary compositions they are most excellent.
  • ... in collaboration with Harrington I wrote an entertainment for Mr. George Case, a well-known musical man and player of the concertina, who retired from the orchestra on his marriage with a Miss Grace Egerton, a pretty and uncommonly sprightly and clever little actress, who ought to have done better things.
    In buying a pair of horses from a dealer, the experienced purchaser is generally aware that he will become the owner of a good animal and a bad one, and the writer of entertainments for a married couple is very often in an analogous position.
  • I have heard Dickens described by those who knew him as aggressive, imperious, and intolerant, and I can comprehend the accusation; but to me his temper was always of the sweetest and kindest. He would, I doubt not, have been easily bored, and would not have scrupled to show it; but he never ran the risk. He was imperious in the sense that his life was conducted on the sic vole sic jubeo principle, and that everything gave way before him.
  • Dickens took great interest in theatrical affairs, and was very fond of theatrical society. He had a lifelong affection for Macready, and a great regard for Regnier and Fechter; of the latter he said once to me, "He has the brain of a man, combined with that strange power of arriving, without knowing how or why, at the truth, which one usually finds only in a woman." He had also a liking for Phelps, Buckstone, Webster, Madame Celeste, and the Keeleys. He saw most of the pieces which were produced from time to time, but he delighted in the irregular drama, the shows and booths and circuses.
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  • Media related to Edmund Yates on Wikimedia Commons
  • Seccombe, Thomas. "Yates, Edmund". Dictionary of National Biography, 1885–1900 vol. 53.