Erskine Caldwell

Erskine Preston Caldwell (December 17, 1903 – April 11, 1987) was an American novelist and short story writer. His writings about poverty, racism and social problems in his native Southern United States, in novels such as Tobacco Road (1932) and God's Little Acre (1933), won him critical acclaim.

Quotes

Here is hard-core unemployment, widespread and chronic; here is a region of shacks and hovels for housing; here are cliffs and ravines without standing room for a cow or chickens. In this region of steep mountains, a person is exceptionally fortunate if he is able to hack out two or three ten-foot rows of land for potatoes or beans.
- Around about America (1964), Interim 2: Welch, West Virginia

She could sometimes stand the pain of it in her stomach when she knew there was nothing to eat, but when Lov stood in full view taking turnips out of the sack, she could not bear the sight of seeing food no one would let her have.
- Ch. 2

"The spring-time ain’t going to let you fool it by hiding away inside a durn cotton mill. It knows you got to stay on the land to feel good. That’s because humans made the mills. God made the land, but you don’t see Him building durn cotton mills. That’s how I know better than to go up there like the rest of them. I stay where God made a place for me."
- Ch. 3 (loq. Jeeter)
- Cf. William Cowper, "God made the country, and man made the town."

There were always well-developed plans in Jeeter’s mind for the things he intended doing; but somehow he never got around to doing them. One day led to the next, and it was much more easy to say he would wait until tomorrow. When that day arrived, he invariably postponed action until a more convenient time. Things had been going along in that easy way for almost a lifetime now; nevertheless, he was again getting ready to burn off the fields and plow the land. He wanted to raise a crop of cotton.
- Ch. 7

"It ain't no sin to look like that, Ellie May," Jeeter had told her. "You came into the world that way from God, and that's the way He intended for you to look. Sometimes I think maybe it would be a sin to change it, because that would be doing over something He made."
"Well, all I got to say," Ada had stated, "is that it's a shame He didn't make Dude with the slit instead of Ellie May. A gal ain't got no business looking like that. Women ain't good for nothing but to marry and work for men, and when one of them has that kind of thing on her, there ain't no man I ever heard of who's going to use her. If it was Dude who had the slit, it wouldn't make no difference at all. Men ain't noticed as much in the face as women is, noway."
- Ch. 7

Jeeter could never think of the loss of his land and goods as anything but a man-made calamity. He sometimes said it was partly his own fault, but he believed steadfastly that his position had been brought about by other people. ... An intelligent employment of his land, stocks, and linpiements would have enabled Jeeter, and scores of others who had become dependent upon Captain John, to raise crops for food, and crops to be sold at a profit. Cooperative and corporate farming would have saved them all.
- Ch. 7

"Though it sometimes looks like a rich man will never help the poor; whereas the poor people will give away everything they has to help somebody who ain’t got nothing. That’s how it looks to me. Don’t seem like it ought to be that way, but I reckon the rich ain’t got no time to fool with us poor folks."
- Ch. 8 (loq. Jeeter)

"Preachers has got to preach against something. It wouldn't do them no good to preach for everything. They got to be against something every time."
"I never looked at it that way before," Jeeter said, "but there might be a lot in what you say. Though, take for instance, God and heaven—you wouldn't preach against them, would you, Sister Bessie?"
"Good preachers don’t preach about God and heaven, and things like that. They always preach against something, like hell and the devil. Them is things to be against. It wouldn’t do a preacher no good to preach for God. He’s got to preach against the devil and all wicked and sinful things. That’s what the people like to hear about. They want to hear about the bad things."
- Ch. 17

He knew the time for burning and plowing had ended the day before, but there still lingered in the warm March air something of the new season. The smell of freshly turned earth and the odor of pine and sedge-smoke hovered over the land even after burning and plowing was done. He breathed deeply of it, filling his body with the invigorating aroma.
- Ch. 19

It was still not too late to begin, but Jeeter did not have a mule, and he did not have the credit to purchase seed-cotton and guano at the stores. Up until this year, he had lived in the hope that something would happen at the last moment to provide a mule and credit, but now it seemed to him that there was no use hoping for anything any more. He could still look forward to the following year when he could perhaps raise a crop of cotton, but it was an anticipation not so keen as it once had been. He had felt himself sink lower and lower, his condition fall further and further, year after year, until now his trust in God and the land was at the stage where further disappointment might easily cause him to lose his mind and reason. He still could not understand why he had nothing, and would never have anything, and there was no one who knew and who could tell him. It was the unsolved mystery of his life.
- Ch. 19

"All you boys seem to think about is the things you can see and touch—that ain’t living. It’s the things you can feel inside of you—that’s what living is made for."
- Ch. 18 (loq. Ty Ty)

I think you must remember that a writer is a simple-minded person to begin with and go on that basis. He's not a great mind, he's not a great thinker, he's not a great philosopher, he's a story-teller.
- p. 51

I think acceptance of human rights is going to progress from one day to the next. I don't think there's going to be any violent revolution about the whole thing anywhere. Of course, it looks like it every once in a while. You hear about it on television and in newspapers: riots here and there. But that is a passing phase.
- p. 102

Many Southern writers must have learned the art of storytelling from listening to oral tales. I did. It gave me the knowledge that the simplest incident can make a story.
- p. 181

I'm not interested in plots. I'm interested only in the characterization of people and what they do.
- p. 182

To me there is no such thing as creative writing. It's either good writing, whatever the subject, or it's not creative.
- p. 185