Frédéric Gros
Frédéric Gros (born 30 November 1965) is a French philosopher.
Quotes
[edit]- Gros, Frédéric; Howe, John (trans.). 2014. A philosophy of walking. London; New York: Verso. ISBN 978-1-78168-270-8. (2014 English translation by John Howe, from the original 2008 French book)
- La marche, on n’a rien trouvé de mieux pour aller plus lentement. Pour marcher, il faut d’abord deux jambes. Le reste est vain. Aller plus vite ? Alors, ne marchez pas, faites autre chose : roulez, glissez, volez. Ne marchez pas. Et puis, marchant, il n’y a qu’une performance qui compte : l’intensité du ciel, l’éclat des paysages. Marcher n’est pas un sport.
Mais une fois debout, l’homme ne tient pas en place.- Walking is the best way to go more slowly than any other method that has ever been found. To walk, you need to start with two legs. The rest is optional. If you want to go faster, then don’t walk, do something else: drive, slide or fly. Don’t walk. And when you are walking, there is only one sort of performance that counts: the brilliance of the sky, the splendour of the landscape. Walking is not a sport.
Once on his feet, though, man does not stay where he is.- Chapter 1: Walking Is Not a Sport
- Walking is the best way to go more slowly than any other method that has ever been found. To walk, you need to start with two legs. The rest is optional. If you want to go faster, then don’t walk, do something else: drive, slide or fly. Don’t walk. And when you are walking, there is only one sort of performance that counts: the brilliance of the sky, the splendour of the landscape. Walking is not a sport.
- D’abord, il y a la liberté suspensive offerte par la marche, ne serait-ce qu’une simple promenade : se délester du fardeau des soucis, oublier un temps ses affaires. On choisit de ne pas emporter son bureau avec soi : on sort, on flâne, on pense à autre chose. Avec la randonnée longue de plusieurs jours, s’accentue le mouvement de déprise : on échappe aux contraintes du travail, on se libère du carcan des habitudes.
- First of all, there is the suspensive freedom that comes by walking, even a simple short stroll: throwing of the burden of cares, forgetting business for a time. You choose to leave the once behind, go out, stroll around, think about other things. With a longer excursion of several days, the process of self-liberation is accentuated: you escape the constraints of work, throw of the yoke of routine.
- Chapter 2: Freedoms
- First of all, there is the suspensive freedom that comes by walking, even a simple short stroll: throwing of the burden of cares, forgetting business for a time. You choose to leave the once behind, go out, stroll around, think about other things. With a longer excursion of several days, the process of self-liberation is accentuated: you escape the constraints of work, throw of the yoke of routine.
- On entrevoit bien dans les randonnées longues, cette liberté toute de renoncement. Quand on marche depuis longtemps, il arrive un moment où on ne sait plus trop combien d’heures se sont déjà écoulées, ni combien il en faudra encore pour parvenir au terme, on sent sur ses épaules le poids du strict nécessaire, on se dit que c’est bien assez – si vraiment il faut davantage pour insister dans l’existence – et on sent qu’on pourrait continuer ainsi des jours, des siècles. C’est à peine alors si l’on sait où on va et pourquoi, cela ne compte pas plus que mon passé ou l’heure qu’il est. Et on se sent libre, parce que, dès qu’il s’agit de se rappeler les signes anciens de notre engagement dans l’enfer – nom, âge, profession, carrière –, tout, absolument, apparaît dérisoire, minuscule, fantomatique.
- During long cross-country wanders, you do glimpse that freedom of pure renunciation. When you walk for a long time, there comes a moment when you no longer know how many hours have passed, or how many more will be needed to get there; you feel on your shoulders the weight of the bare necessities, you tell yourself that’s quite enough – that really nothing more is needed to keep body and soul together – and you feel you could carry on like this for days, for centuries. You can hardly remember where you are going or why; that is as meaningless as your history, or what the time is. And you feel free, because whenever you remember the former signs of your commitments in hell – name, age, profession, CV – it all seems absolutely derisory, minuscule, insubstantial.
- Chapter 2: Freedoms
- During long cross-country wanders, you do glimpse that freedom of pure renunciation. When you walk for a long time, there comes a moment when you no longer know how many hours have passed, or how many more will be needed to get there; you feel on your shoulders the weight of the bare necessities, you tell yourself that’s quite enough – that really nothing more is needed to keep body and soul together – and you feel you could carry on like this for days, for centuries. You can hardly remember where you are going or why; that is as meaningless as your history, or what the time is. And you feel free, because whenever you remember the former signs of your commitments in hell – name, age, profession, CV – it all seems absolutely derisory, minuscule, insubstantial.
- Mais être seul alors, vraiment seul cette fois : un. Mais d’abord, on n’est jamais tout à fait seul. Comme écrivait Thoreau : « Je restai tout le matin en bonne compagnie, jusqu’à ce que quelqu’un vienne me rendre visite » (c’était la compagnie des arbres, du soleil, des cailloux). Au fond, c’est de rencontrer l’autre, souvent, qui nous ramène à la solitude. La conversation mène à parler de soi et de ses différences. Et doucement, l’autre nous renvoie à nous-mêmes dans notre histoire et notre identité, ce qui veut dire les incompréhensions et les mensonges. Comme si cela existait.
- So it’s best to walk alone, except that one is never entirely alone. As Henry David Thoreau wrote: ‘I have a great deal of company in the house, especially in the morning when nobody calls.’ To be buried in Nature is perpetually distracting. Everything talks to you, greets you, demands your attention: trees, flowers, the colour of the roads. The sigh of the wind, the buzzing of insects, the babble of streams, the impact of your feet on the ground: a whole rustling murmur that responds to your presence. Rain, too. A light and gentle rain is a steady accompaniment, a murmur you listen to, with its intonations, outbursts, pauses: the distinct plopping of drops splashing on stone, the long melodious weave of sheets of rain falling steadily. It’s impossible to be alone when walking, with so many things under our gaze which are given to us through the inalienable grasp of contemplation.
- Chapter 7: Solitudes
- So it’s best to walk alone, except that one is never entirely alone. As Henry David Thoreau wrote: ‘I have a great deal of company in the house, especially in the morning when nobody calls.’ To be buried in Nature is perpetually distracting. Everything talks to you, greets you, demands your attention: trees, flowers, the colour of the roads. The sigh of the wind, the buzzing of insects, the babble of streams, the impact of your feet on the ground: a whole rustling murmur that responds to your presence. Rain, too. A light and gentle rain is a steady accompaniment, a murmur you listen to, with its intonations, outbursts, pauses: the distinct plopping of drops splashing on stone, the long melodious weave of sheets of rain falling steadily. It’s impossible to be alone when walking, with so many things under our gaze which are given to us through the inalienable grasp of contemplation.
- Dernière chose : on n’est pas seul enfin parce que, dès qu’on marche, on est aussitôt deux. Surtout après avoir marché longtemps. Je veux dire qu’il y a toujours, même seul, ce dialogue entre le corps et l’âme.
- Lastly, you are not alone because when you walk you soon become two. Especially after walking for a long time. What I mean is that even when I am alone, there is always this dialogue between the body and the soul.
- Chapter 7: Solitudes
- Lastly, you are not alone because when you walk you soon become two. Especially after walking for a long time. What I mean is that even when I am alone, there is always this dialogue between the body and the soul.
- Il y a le silence des forêts. Les bouquets d’arbres forment autour de nous des murs mouvants, incertains. On marche sur des chemins tracés, des bandes de terre étroites qui serpentent. On perd vite l’orientation. Le silence alors est frémissant, inquiet.
- There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy.
- Chapter 8: Silence
- There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy.
- Il y a le silence des marches dures des après-midi d’été, sur des parois de montagne, des sentiers de cailloux, à découvert sous un soleil sans concession. Silence éclatant, minéral, accablant. On entend juste le léger crissement des pierres. Silence implacable, définitif, comme une mort transparente. Le ciel est d’un bleu parfaitement détaché. Et on avance les yeux baissés, en se rassurant par un marmonnement sourd parfois. Le ciel sans nuages, le calcaire des roches sont d’une présence pleine : silence dont rien ne dépasse. Silence comble, immobilité vibrante, tendue comme un arc.
- Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun. Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow.
- Chapter 8: Silence
- Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun. Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow.
- Il y a le silence des petits matins. Il faut partir très tôt en automne quand l’étape est longue. Tout est violet dehors, la lumière rampe sous les feuilles jaunes et rouges. C’est un silence attentif. On marche doucement au milieu des grands arbres sombres, encore enveloppés d’une légère nuit bleue. On a presque peur de réveiller. Tout chuchote faiblement.
- There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly.
- Chapter 8: Silence
- There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly.
- Il y a le silence des marches dans la neige. Silence des pas étouffés sous un ciel blanc. Tout autour rien ne bouge. Les choses et le temps sont pris dans la glace. Immobilité sourde, tout est arrêté. Tout est uni, feutré. C’est un silence de mise en veille, de parenthèse cotonneuse, blanche, suspendue.
- There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
- Chapter 8: Silence
- There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
- Mais surtout, c’est la dissipation encore de notre langage. ... Dans le silence de la marche, quand on finit par perdre l’usage des mots ... dans ce silence, on écoute mieux alors, parce qu’on écoute enfin ce qui n’a aucune vocation à être retraduit, recodé, reformaté.
- But above all, silence is the dissipation of our language. ... In the silence of a walk, when you end up losing the use of words because by then you are doing nothing but walk, ... in that silence you hear better, because you are finally hearing what has no vocation to be retranslated, recoded, reformatted.
- Chapter 8: Silence
- But above all, silence is the dissipation of our language. ... In the silence of a walk, when you end up losing the use of words because by then you are doing nothing but walk, ... in that silence you hear better, because you are finally hearing what has no vocation to be retranslated, recoded, reformatted.
- La première éternité qu’on rencontre est celle des pierres, du mouvement des plaines, des lignes d’horizon : tout cela résiste. ... Je suis face à cette montagne, je marche au milieu des grands arbres et je pense : ils sont là. Ils sont là, ils ne m’ont pas attendu, là depuis toujours. Ils m’ont indéfiniment devancé, ils continueront bien après moi.
- The first eternity we encounter is that of rocks, of the swooping contour of the plains, of the skylines: all that is resistant, unchanging. ... You are facing a mountain, walking among great trees, and you think: they are just there. They are there, they didn’t expect me, they were always there. They were there long before me and they will still be there long after me.
- Chapter 10: Eternities
- The first eternity we encounter is that of rocks, of the swooping contour of the plains, of the skylines: all that is resistant, unchanging. ... You are facing a mountain, walking among great trees, and you think: they are just there. They are there, they didn’t expect me, they were always there. They were there long before me and they will still be there long after me.
- On ne fait rien en marchant, rien que marcher. Mais de n’avoir rien à faire que marcher permet de retrouver le pur sentiment d’être, de redécouvrir la simple joie d’exister, celle qui fait toute l’enfance. Ainsi la marche, en nous délestant, en nous arrachant à l’obsession du faire, nous permet d’à nouveau rencontrer cette éternité enfantine. Je veux dire que marcher, c’est un jeu d’enfant. S’émerveiller du jour qu’il fait, de l’éclat du soleil, de la grandeur des arbres, du bleu du ciel. Je n’ai besoin pour cela d’aucune expérience, d’aucune compétence.
- You’re doing nothing when you walk, nothing but walking. But having nothing to do but walk makes it possible to recover the pure sensation of being, to rediscover the simple joy of existing, the joy that permeates the whole of childhood. So that walking, by unburdening us, prising us from the obsession with doing, puts us in touch with that childhood eternity once again. I mean that walking is so to speak child’s play. To marvel at the beauty of the day, the brightness of the sun, the grandeur of the trees, the blue of the sky: to do that takes no experience, no ability.
- Chapter 10: Eternities
- You’re doing nothing when you walk, nothing but walking. But having nothing to do but walk makes it possible to recover the pure sensation of being, to rediscover the simple joy of existing, the joy that permeates the whole of childhood. So that walking, by unburdening us, prising us from the obsession with doing, puts us in touch with that childhood eternity once again. I mean that walking is so to speak child’s play. To marvel at the beauty of the day, the brightness of the sun, the grandeur of the trees, the blue of the sky: to do that takes no experience, no ability.
- On n’est jamais personne pour les collines et les grandes frondaisons. On n’est plus ni un rôle, ni un statut, pas même un personnage, mais un corps, un corps qui ressent la pointe des cailloux sur les chemins, la caresse des hautes herbes et la fraîcheur du vent. Quand on marche, le monde n’a plus ni présent, ni futur. Il n’y a plus que le cycle des matins et des soirs. Toujours à faire la même chose tout le jour : marcher.
- You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk.
- Chapter 10: Eternities
- You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk.
- Mais marcher, cela fait imprégnation. Marcher interminablement, faire passer par les pores de sa peau la hauteur des montagnes quand on s’y affronte très longtemps, respirer des heures durant la forme des collines en les dévalant longuement. Le corps devient pétri de la terre qu’il foule. Et progressivement, ainsi, il n’est plus dans le paysage : il est le paysage. Ce n’est pas forcément dissolution, comme si le marcheur s’évanouissait et en devenait une simple inflexion, une ligne supplémentaire. Parce qu’en lui soudain ce rapport s’illumine. C’est comme un instant qui éclate. Feu brusque : le temps s’enflamme. Là, le sentiment d’éternité, c’est tout à coup cette vibration des présences. L’éternité, ici, comme étincelle.
- But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
- Chapter 10: Eternities
- But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
- Peut-être les moines qu’on appelle « gyrovagues » exaltaient-ils particulièrement notre condition d’étranger éternel : marchant sans cesse de monastère en monastère, sans être fixé – ils n’ont pas tous disparu ; il en reste, paraît-il, quelques-uns encore sur le mont Athos : ils marchent leur vie durant sur les sentiers étroits des montagnes, tournant en rond, s’endormant à la chute du jour dans l’endroit où leurs pieds les a portés ; ils passent leur vie à marmonner des prières en marchant tout le jour, sans destination ni but, ici ou là, au hasard du croisement des sentiers, à tourner, retourner, ils marchent sans aller nulle part, illustrant par l’éternel cheminement leur état d’étrangers définitifs au monde d’ici-bas.
- Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world.
- Chapter 13: Pilgrimage
- Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world.
External links
[edit]
- A Philosophy of Walking quotes from Goodreads