# François Viète

François Viète (1540 – 23 February 1603), Seigneur de la Bigotière, was a French mathematician, also known as Franciscus Vieta, Francois Vieta or Francois Viete, whose new algebra was an important step towards modern algebra, with innovations such as the use of letters as parameters in equations. He was a lawyer serving as a privy councillor to kings of France, Henry III and Henry IV.

## Quotes

### In artem analyticem Isagoge (1591)

f unless otherwise noted

• On symbolic use of equalities and proportions. Chapter II.
The analytical method accepts as proven the most famous [ as known from Euclid ] symbolic use of equalities and proportions that are found in items such as:
1. The whole is equal to the sum of its parts.
2. Quantities being equal to the same quantity have equality between themselves. [a = c & b = c => a = b]
3. If equal quantities are added to equal quantities the resulting sums are equal.
4. If equals are subtracted from equal quantities the remains are equal.
5. If equal equal amounts are multiplied by equal amounts the products are equal.
6. If equal amounts are divided by equal amounts, the quotients are equal.
7. If the quantities are in direct proportion so also are they are in inverse and alternate proportion. [a:b::c:d=>b:a::d:c & a:c::b:d]
8. If the quantities in the same proportion are added likewise to amounts in the same proportion, the sums are in proportion. [a:b::c:d => (a+c):(b+d)::c:d]
9.If the quantities in the same proportion are subtracted likewise from amounts in the same proportion, the differences are in proportion. [a:b::c:d => (a-c):(b-d)::c:d]
10. If proportional quantities are multiplied by proportional quantities the products are in proportion. [a:b::c:d & e:f::g:h => ae:bf::cg:dh]
11. If proportional quantities are divided by proportional quantities the quotients are in proportion. [a:b::c:d & e:f::g:h => a/e:b/f::c/g:d/h]
12. A common multiplier or divisor does not change an equality nor a proportion. [a:b::ka:kb & a:b::(a/k):(b/k)]
13. The product of different parts of the same number is equal to the product of the sum of these parts by the same number. [ka + kb = k(a+b)]
14. The result of successive multiplications or divisions of a magnitude by several others is the same regardless of the sequential order of quantities multiplied times or divided into that magnitude.
But the masterful symbolic use of equalities and proportions which the analyst may apply any time is the following:
15. If we have three or four magnitudes and the product of the extremes is equal to the product means, they are in proportion.[ad=bc => a:b::c:d OR ac=b2 => a:b::b:c]
And conversely
10. If we have three or four magnitudes and the first is to the second as the second or the third is to the last, the product of the extremes is equal to that of means. [a:b::c:d => ad=bc OR a:b::b:c => ac=b2]
We can call a proportion the establishment of an equality [equation] and an equality [equation] the resolution of a proportion.
• From Frédéric Louis Ritter's French Tr. Introduction à l'art Analytique (1868) utilizing Google translate with reference to English translation in Jacob Klein, Greek Mathematical Thought and the Origin of Algebra (1968) Appendix
• In mathematics there is a certain way of seeking the truth, a way which Plato is said first to have discovered and which was called "analysis" by Theon and was defined by him as "taking the thing sought as granted and proceeding by means of what follows to a truth which is uncontested"; so, on the other hand, "synthesis" is "taking the thing that is granted and proceeding by means of what follows to the conclusion and comprehension of the thing sought." And although the ancients set forth a twofold analysis, the zetetic and the poristic, to which Theon's definition particularly refers, it is nevertheless fitting that there be established also a third kind, which may be called rhetic or exegetic, so that there is a zetetic art by which is found the equation or proportion between the magnitude that is being sought and those that are given, a poristic art by which from the equation or proportion the truth of the theorem set up is investigated, and an exegetic art by which from the equation set up or the proportion, there is produced the magnitude itself which is being sought. And thus, the whole threefold analytic art, claiming for itself this office, may be defined as the science of right finding in mathematics. ...the zetetic art does not employ its logic on numbers—which was the tediousness of the ancient analysts—but uses its logic through a logistic which in a new way has to do with species [of number]...
• Ch. 1 as quoted by Jacob Klein, Greek Mathematical Thought and the Origin of Algebra (1934-1936) Appendix.
• There is a certain way of searching for the truth in mathematics that Plato is said first to have discovered; Theon named it analysis, and defined it as the assumption of that which is sought as if it were admitted and working through its consequences to what is admitted to be true. This is opposed to synthesis, which is the assuming what is admitted and working through its consequences to arrive at and to understand that which is sought.
• Ch. 1 as quoted by Douglas M. Jesseph, Squaring the Circle: The War Between Hobbes and Wallis (1999) p. 225

• Vieta presented his analytic art as "the new algebra" and took its name from the ancient mathematical method of "analysis", which he understood to have been first discovered by Plato and so named by Theon of Smyrna. Ancient analysis is the 'general' half of a method of discovering the unknown in geometry; the other half, "synthesis", being particular in character. The method was defined by Theon like this: analysis is the "taking of the thing sought as granted and proceeding by means of what follows to a truth that is uncontested"'. Synthesis, in turn, is "taking the thing that is granted and proceeding by means of what follows to the conculsion and comprehension of the thing sought" (Vietae 1992: 320). The transition from analysis to synthesis was called "conversion", depending on whether the discovery of the truth of a geometrical theorem or the solution ("construction") to a geometrical problem was being demonstrated, the analysis was called respectively "theoretical" or "problematical".
• Burt C. Hopkins, "Nastalgia and Phenomenon: Hussel and Patočka on the End of the Ancient Cosmos," The Phenomenological Critique of Mathematisation and the Question of Responsibility: Formalisation and the Life-World (2015) ed., Ľubica Učník, Ivan Chvatík, Anita Williams, p. 71, Contributions to Phenomenology 76
• Vieta's innovation contains three interrelated and interdependent aspects. ...methodical ...making calculation possible with both known and unknown indeterminate (and therefore 'general') numbers. ...cognitive ...resolving mathematical problems in this general mode, such that its indeterminate solution allows arbitrarily many determinate solutions based on numbers assumed at will. ...analytic ...being applicable indifferently to the numbers of traditional arithmetic and the magnitudes of traditional geometry.
• Burt C. Hopkins, "Nastalgia and Phenomenon: Hussel and Patočka on the End of the Ancient Cosmos," (2015) ibid.
• A major advance in notation with far-reaching consequences was François Viète's idea, put forward in his "Introduction to the Analytic Art"... of designating by letters all quantities, known or unknown, occurring in a problem. ...for the first time it was possible to replace various numerical examples by a single "generic" example, from which all others could be deduced by assigning values to the letters. ...by using symbols as his primary means of expression and showing how to calculate with those symbols, Viète initiated a completely formal treatment of algebraic expressions, which he called logistice speciosa (as opposed to logistice numerosa, which deals with numbers). This "symbolic logistic" gave some substance, some legitimacy to algebraic calculations, which allowed Viète to free himself from the geometric diagrams used... as justifications.
• Jean-Pierre Tignol, Galois' Theory of Algebraic Equations (2001)

### Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries (1866)

• Ars Magna, published in 1545... contains many valuable discoveries; but that which has been most celebrated is the rule for the solution of cubic equations, generally known by Cardan's name, though he had obtained it from a man of equal genius in algebraic science, Nicolas Tartaglia. ...Cossali has ingeniously attempted to trace the process by which Tartaglia arrived at this discovery; one which, when compared with the other leading rules of algebra, where the invention... has generally lain much nearer the surface, seems an astonishing effort of sagacity. Even Harriott's beautiful generalization of the composition of equations was prepared by what Cardan and Vieta had done before, or might have been suggested by observation in the less complex cases.
Cardan, though not entitled to the honor of this discovery, nor even equal, perhaps, in mathematical genius to Tartaglia, made a great epoch in the science of algebra; and according to Cossali and Hutton, has a claim to much that Montucla has unfairly or carelessly attributed to his favorite, Vieta.
• Cossali has given the larger part of a quarto volume to the algebra of Cardan; his object being to establish the priority of the Italian's claim to most of the discoveries ascribed by Montucla to others, and especially to Vieta. Cardan knew how to transform a complete cubic equation into one wanting the second term; one of the flowers which Montucla has placed on the head of Vieta; and this he explains so fully, that Cossali charges the French historian of mathematics with having never read the Ars Magna.

### A History of Mathematics (1893)

• Rhaeticus was not a ready calculator only... Up to his time, the trigonometric functions had been considered always with relation to the arc; he was the first to construct the right triangle and to make them depend directly upon its angles. It was from the right triangle that Rhæticus got his idea of calculating the hypotenuse; i.e., he was the first to plan a table of secants. Good work in trigonometry was done also by Vieta and Romanus.
• Cardan applied the Hindoo rule of "false position" (called by him regula aurea) to the cubic, but this mode of approximating was exceedingly rough. An incomparably better method was invented by Franciscus Vieta... whose transcendent genius enriched mathematics with several important innovations... For this process, Vieta was greatly admired by his contemporaries. It was employed by Harriot, Oughtred, Pell, and others. Its principle is identical with the main principle involved in the methods of approximation of Newton and Horner. The only change lies in the arrangement of the work. This alteration was made to afford facility and security in the process of evolution of the root.
• Vieta [was] the most eminent French mathematician of the sixteenth century.
• He was employed throughout life in the service of the state, under Henry III and Henry IV. He was, therefore, not a mathematician by profession, but his love for the science was so great that he remained in his chamber studying, sometimes several days in succession, without eating and sleeping more than was necessary to sustain himself. So great devotion to abstract science is the more remarkable because he lived at a time of incessant political and religious turmoil.
• During the war against Spain, Vieta rendered service to Henry IV by deciphering intercepted letters written in a species of cipher, and addressed by the Spanish Court to their governor of Netherlands. The Spaniards attributed the discovery of the key to magic.
• An ambassador from Netherlands once told Henry IV that France did not possess a single geometer capable of solving a problem propounded to geometers by a Belgian mathematician, Adrianus Romanus. It was the solution of the equation of the forty fifth degree:—
$45y-3795y^{3}+95634y^{3}-\ldots +945y^{41}-45y^{43}+y^{45}=C$ ...Vieta, who, having already pursued similar investigations, saw at once that this awe-inspiring problem was simply the equation by which C = 2 sin φ was expressed in terms of y = 2 sin 1⁄45 φ that since 45 = 3·3·5, it was necessary only to divide an angle once into 5 equal parts, and then twice into 3,—a division which could be effected by corresponding equations of the fifth and third degrees. Brilliant was the discovery by Vieta of 23 roots to this equation, instead of only one. The reason why he did not find 45 solutions, is that the remaining ones involve negative sines, which were unintelligible to him.
• Detailed investigations on the famous old problem of the section of an angle into an odd number of equal parts, led Vieta to the discovery of a trigonometrical solution of Cardan's irreducible case in cubics. He applied the equation (2 cos 1⁄3 φ)3 - 3 (2 cos 1⁄3 cos φ) = 2 cos φ to the solution of x3 - 3 a2x = a2b, when a > ½ b, by placing x = 2 a cos 1⁄3 φ, and determining φ from b = 2a cos φ.
• The main principle employed by him in the solution of equations is that of reduction. He solves the quadratic by making a suitable substitution which will remove the term containing x to the first degree. Like Cardan, he reduces the general expression of the cubic to the form x3 + mx + n = 0; then assuming x = (1⁄3 a - z2z and substituting, he gets z6 - bz3 - 1⁄27 a3 = 0. Putting z3 = y, he has a quadratic. In the solution of bi-quadratics, Vieta still remains true to his principle of reduction. This gives him the well-known cubic resolvent. He thus adheres throughout to his favourite principle, and thereby introduces into algebra a uniformity of method which claims our lively admiration.
• In Vieta's algebra we discover a partial knowledge of the relations existing between the coefficients and the roots of an equation. He shows that if the coefficient of the second term in an equation of the second degree is minus the sum of two numbers whose product is the third term, then the two numbers are roots of the equation. Vieta rejected all except positive roots; hence it was impossible for him to fully perceive the relations in question.
• The most epoch making innovation in algebra due to Vieta is the denoting of general or indefinite quantities by letters of the alphabet. To be sure, Regiomontanus and Stifel in Germany, and Cardan in Italy, used letters before him, but Vieta extended the idea and first made it an essential part of algebra. The new algebra was called by him logistica speciosa in distinction to the old logistica numerosa.
• Vieta's formalism differed considerably from that of to-day. The equation a3 + 3a2b + 3ab2 + b3 = (a + b)3 was written by him "a cubus + b in a quadr. 3 + a in b quadr. 3 + b cubo æqualia a+b cubo."
• In numerical equations the unknown quantity was denoted by N, its square by Q, and its cube by C. Thus the equation x3 - 8 x2 + 16 x = 40 was written 1 C - 8 Q - 16 N œqual. 40.
• Exponents and our symbol (=) for equality were not yet in use; but... Vieta employed the Maltese cross (+) as the short-hand symbol for addition, and the (-) for subtraction. These two characters had not been in general use before the time of Vieta.

### History of Mathematics (1925) Vol. 2

• Vieta (c. 1590) rejected the name "algebra" as having no significance in the European languages, and proposed to use the word "analysis," and it is probably to his influence that the popularity of this term in connection with higher algebra is due.
• Vieta: 1QC - 15QQ + 85C - 225Q + 274N, aequator 120. Modern form:
$x^{6}-15x^{4}+85x^{3}-225x^{2}+274x=120$ • He used capital vowels for the unknown quantities and capital consonants for the known, thus being able to express several unknowns and several knowns.
• In the work of Vieta the analytic methods replaced the geometric, and his solutions of the quadratic equation were therefore a distinct advance upon those of his predecessors. For example, to solve the equation $x^{2}+ax+b=0$ he placed $u+z$ for $x$ . He then had
$u^{2}+(2z+a)u+(z^{2}+az+b)=0.$ He now let $2z+a=0,$ whence $z=-{\frac {1}{2}}a,$ and this gave
$u^{2}-{\frac {1}{4}}(a^{2}-4b)=0.$ $u=\pm {\frac {1}{2}}{\sqrt {a^{2}-4b}}.$ and
$x=u+z=-{\frac {1}{2}}a\pm {\sqrt {a^{2}-4b}}.$ • Although Cardan reduced his particular equations to forms lacking a term in $x^{2}$ , it was Vieta who began with the general form
$x^{3}+px^{2}+qx+r=0$ and made the substitution $x=y-{\frac {1}{3}}p,$ thus reducing the equation to the form
$y^{3}+3by=2c.$ $z^{3}+yz=b,$ or   $y={\frac {b-z^{2}}{z}},$ $z^{6}+2cz^{2}=b^{2},$ • Vieta was the first algebraist after Ferrari to make any noteworthy advance in the solution of the biquadratic. He began with the type $x^{4}+2gx^{2}+bx=c,$ wrote it as $x^{4}+2gx^{2}=c-bx,$ added $gx^{2}+{\frac {1}{4}}y^{2}+yx^{2}+gy$ to both sides, and then made the right side a square after the manner of Ferrari. This method... requires the solution of a cubic resolvent.