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George Frideric Handel

From Wikiquote, the free quote compendium
Handel in 1727, by Balthasar Denner (1685–1749)

George Frideric (or Frederick) Handel (Georg Friedrich Händel, 23 February 1685 – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

Quotes

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  • Whether I was in my body or out of my body I know not. God knows it!
    • Quoted in The Harvard Magazine (December 1862), p. 141.
    • On composing the "Hallelujah Chorus" in 1741.
  • I did think I did see all heaven before me, and the great God himself.
    • Horatio Townsend An Account of the Visit of Handel to Dublin (1852) p. 93, citing Laetitia Matilda Hawkins Anecdotes, Biographical Sketches and Memoirs vol. 1 (1822).
    • His reply on being asked what his feelings were while writing the "Hallelujah Chorus".
  • I should be sorry if I only entertained them, I wish to make them better.
    • James Beattie, letter of May 25, 1780, published in William Forbes An Account of the Life and Writings of James Beattie, LL.D. (1806) p. 331.
    • In reply to Lord Kinnoull, who had complimented him on his Messiah, "the noble entertainment which he had lately given the town". Beattie had this on the authority of Kinnoull himself.
  • You have taken far too much trouble over your opera. Here in England that is mere waste of time. What the English like is something that they can beat time to, something that hits them straight on the drum of the ear.
    • Richard Alexander Streatfeild Handel (2005) p. 195, citing Anton Schmid Christoph Willibald Ritter von Gluck (1854) p. 29
    • In conversation with Gluck.

Messiah (1741)

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Hallelujah Theme
Libretto mainly from KJV by Charles Jennens
  • Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, make straight in the desert a highway for our God.
  • Behold, a virgin shall conceive and bear a son, and shall call his name Emmanuel, God with us.
  • Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem: behold, thy King cometh unto thee: he is the righteous Saviour, and he shall speak peace unto the heathen
  • He was despised and rejected of men; a man of sorrows, and acquainted with grief.
  • Why do the nations so furiously rage together: and why do the people imagine a vain thing? The kings of the earth rise up, and the rulers take counsel together against the Lord, and against his Anointed.
  • Hallelujah: for the Lord God omnipotent reigneth.
  • I know that my Redeemer liveth, and that he shall stand at the latter day upon the earth: And though worms destroy this body, yet in my flesh shall I see God.
  • The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible must put on incorruption, and this mortal must put on immortality.
  • Worthy is the Lamb that was slain, and hath redeemed us to God by his blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing, and honour, glory, and power, be unto him that sitteth upon the throne, and unto the Lamb for ever and ever. Amen.

Criticism

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  • Er ist der Meister von uns allen!
    • This man is the master of us all.
    • Haydn, at a performance of Messiah. Quoted in John Galt George the Third, His Court and Family (1824) p. 34, and in Leopold Schmidt Joseph Haydn (1898) p. 86.
  • Händel ist der unerreichte Meister aller Meister. Gehen Sie und lernen Sie von ihm, wie gewaltige Wirkungen mit einfachen Mitteln zu erreichen ist.
    • Händel is the unrivalled master of all masters. Go and learn from him how to achieve vast effects with simple means.
    • Beethoven, quoted by Ignaz von Seyfried. Published in Friedrich Kerst Beethoven der Mann und der Künstler, wie in seinen Eigenen Words enthüllt no. 111 [1]; Friedrich Kerst (trans. Henry Edward Krehbiel) Beethoven, the Man and the Artist, as Revealed in his own Words (1964), p. 54.
  • Händel ist der größte Komponist, der je lebte. Ich würde meine Kopfbedeckung abnehmen und auf seinem Grab knien.
    • Händel is the greatest composer that ever lived. I would uncover my head and kneel on his grave.
    • Beethoven, speaking to J. A. Stumpff in the autumn of 1823. Published in Friedrich Kerst Beethoven der Mann und der Künstler, wie in seinen Eigenen Words enthüllt no. 112 [2]; Friedrich Kerst (trans. Henry Edward Krehbiel) Beethoven, the Man and the Artist, as Revealed in his own Words (1964), p. 54.
  • Händel ist der Größte und Fähigste aller Komponisten; von ihm kann ich immer noch lernen.
    • Händel is the greatest and ablest of all composers; from him I can still learn.
    • Beethoven on his deathbed, speaking to Gerhard von Breuning. Published in Friedrich Kerst Beethoven der Mann und der Künstler, wie in seinen Eigenen Words enthüllt no. 111 [3]; Friedrich Kerst (trans. Henry Edward Krehbiel) Beethoven, the Man and the Artist, as Revealed in his own Words (1964), p. 54.
  • His hallelujahs open the heavens. He utters the word "Wonderful," as if all their trumpets spoke together. And then, when he comes to earth, to make love amidst nymphs and shepherds (for the beauties of all religions found room within his breast), his strains drop milk and honey, and his love is the youthfulness of the Golden Age.
  • Handel is so great and so simple that no one but a professional musician is unable to understand him.
  • Handel paralysed music in England for generations and they have not yet quite got over him.
  • Every Englishman believes that Handel now occupies an important position in heaven. If so, le bon Dieu must feel toward him very much as Louis Treize felt toward Richelieu.

Quotes about George Frideric Handel

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  • Handel is one of the giants of musical history. His is happy, confident, melodic music imbued with the grace of the Italian vocal school, an easy fluency in German contrapuntal writing and the English choral tradition inherited from Purcell.
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