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Krysta Gonzales is an Afro-Latinx playwright and actress.
- …more than half the struggle is putting the pencil to the paper and trusting. If trust is too hard right now, know that page is the one place where you can always go back and use your eraser.
- On one of the things she’d advise budding Latino artists to do in “Krysta Gonzales” (50 Playwrights; 2016 Feb 19)
- It’s a text and movement conjuring of Latina archetypes and the women who embody them— past, present, and future. There are archetypes/stereotypes that are often placed upon Latinas (i.e. La Virgen, La Llorona, hot tempered, sexy, etc.) and I wanted to know what happens if the images we think we understand are, in fact, more complicated and more human than we thought? And then what happens if those “images” not only talk to us, but each other too?...
- On her play Mas Cara in “Krysta Gonzales” (50 Playwrights; 2016 Feb 19)
- …For acting, I have no other place to begin besides my body, history, memories, and cultural points of reference. In my process, I’m my foundation and then the research, and additional character development gets layered on top. For writing, I admit I’ve got an agenda and I start from what I know—me…
- On her acting process in “Interview with Playwright and Actress Krysta Gonzales” (HOWLROUND THEATRE COMMONS; 2016 May 15)
- Don’t let anyone “should” all over you and don’t “should” all over yourself. Writers: nobody knows the story you want to tell better than you do. You get to decide what feedback serves you and the rest of it you can leave behind…
- On her advice to Latino artists in “Interview with Playwright and Actress Krysta Gonzales” (HOWLROUND THEATRE COMMONS; 2016 May 15)