The people love Nero. He inspires in them both affection and respect. There is a reason for this which Tacitus omits. One can discern the reason for this popular feeling: Nero oppressed the great and never burdened the ordinary people. But Tacitus says nothing of this. He speaks of crimes. He speaks of them with passion. We, as a result, feel he is biased; he no longer inspires the same confidence. One is led to believe that he exaggerates; he explains nothing and appears satisfied with vignettes.
Nero wasn’t worried at all when he heard the utterance of the Delphic Oracle: “Beware the age of seventy-three.” Plenty of time to enjoy himself still. He’s thirty. The deadline the god has given him is quite enough to cope with future dangers.
Constantine P. Cavafy Collected Poems By Constantine Cavafy, Edmund Keeley p.87
The arts of the magician are said to have been called into action by Nero upon occasion of the assination of his mother, Agrippina. He was vitisted with occasional fits of the deepest remorse in the recollection of his enmormity. Not with-standing all the ostentatious applauses and congratulations which he obtained from the senate, the army and the people, he complained that he was perpetually haunted with the ghost of his mother, and persued by the Furies with flaming torches and whips. He therefore cased himself to be attended by magicians, who employed their arts to conjure up the shade of Agrippina and to endeavour to obtain her forgiveness for the crime perpetrated by her son. We are not informed of the success of their evocations.
Thus Nero went up and down Greece and challenged the fiddlers at their trade. Æropus, a Macedonian king, made lanterns; Harcatius, the king of Parthia, was a mole-catcher; and Biantes, the Lydian, filed needles.
Jeremy Taylor, Holy Living, Chapter I, Secion I, "Rides far Employing Our Time".