Orchestra
An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections.
Quotes
[edit]- I have one idea about this whole interpretation problem as it relates to orchestral music — too many of our conductors start with old music. What they should do is interpret the music of our time and then go backwards. They would be much better off because if you interpret a contemporary work, where the composer is still alive and have contact with the compositional mind, you will also play older music as looked at from the perspective of the composer, instead of an interpretive kind of idea. I hate the performer that says, “Did you ever hear my Beethoven?” I don’t want to hear his Beethoven! I want to hear Beethoven.
- Samuel Adler, Quoted from an interview with Bruce Duffie in Chicago on WNIB, (1991).[1]
- Numerous important conductors and composers were (and are) players of instruments other than the piano or organ over the course of their careers (Hans Richter, Edric Cundell, Daniel Jones, Edward Downes, Cedric Thorpe Davie and Norman Del Mar were hornists, Malcolm Arnold and Elgar Howarth trumpeters, Gustav Holst and George Alexander Macfarren trombonists, Simon Rattle a percussionist, Christian Darnton a bassoonist, Arthur Nikisch, Basil Cameron, Eugène Goossens and George Lloyd violinists, John Barbirolli, Charles Lucas, Havergal Brian and Arturo Toscanini cellists, and Benjamin Britten and Frank Bridge were violists). The intimate knowledge of the orchestra one gleans as a player is very valuable for conducting a symphony orchestra or writing orchestral compositions.
- Jürgen Schaarwächter (27 February 2015). Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey. With a foreword by Lewis Foreman. Volume 1. Georg Olms Verlag. p. 584. ISBN 978-3-487-15227-1.
- "Contrary to popular belief, violas are more important than you think," - C.M., an orchestra teacher
- Jürgen Schaarwächter (27 February 2015). Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey. With a foreword by Lewis Foreman. Volume 1. Georg Olms Verlag. p. 584. ISBN 978-3-487-15227-1.
