Not the power to remember, but its very opposite, the power to forget, is a necessary condition for our existence.
The Nazarene, 1939, p. 3.
Suffering, my son, is the fount of love. Suffering is the grace, the great grace, which our Father in heaven pours down upon us. For suffering gives men submissive hearts. He that does not suffer thinks that he stands upon a mighty rock which he himself has raised. He does not see his brother; he sees only himself. He believes in no one; he believes only in his own strength. His heart becomes a swamp which swarms with reptiles: pride, obstinacy, and self-love. And when his footstool is rolled away from under him, he sinks, together with all the reptiles, into the depths of hell. But he to whom God has granted suffering shall find his pains like ropes which bind him to his Father in heaven. His heart is awake to feel the pains of his brother in need. He sends afflictions upon you and makes you small on earth that you may be great in heaven.
In the terrible revolutionary upheaval in the Jewish towns of Russia at the beginning of this century, when the entire Jewish youth was drawn into the vortex and confusion of strife, Asch remained loyal to his art. Not that he was indifferent to the momentous events, not that those terrible days failed to stir his soul and heat his blood. Nay, he saw all, he absorbed and responded. But this he did not as a worker, not as a participant in the struggle, not as a zealot, or a believer or soldier; but as the artist, as the dreamer, philosopher and interpreter and painter of emotions and impressions.
This is also true of his attitude to the agitation over the Jewish problem that shook Russian Judaism in those days of storm and unrest. The questions of Zionism, nationalism, cosmopolitanism, the revival of Palestinism, the amalgamation of national and revolutionary principles, the neo-chassidism, these and many other creeds that sprang into life during those memorable days influenced Asch not as a crusader for one cause or the other, but as an interpreter of them all, as an artist purely and faithfully.