Jump to navigation Jump to search
- They held that one ought to set before children, and that children showed their own innate good taste in admiring, only such books and pictures as they would continue to admire when their minds were developed and mature. No doubt they regarded aesthetic values as material objects which an unclouded vision could not fail to discern, without needing to have their equivalent in experience of life stored up and slowly ripening in one’s heart.
- Whenever she saw in others an advantage, however trivial, which she herself lacked, she would persuade herself that it was no advantage at all, but a drawback, and would pity so as not to have to envy them.
- p. 24
- M. Legrandin … was one of that class of men who, apart from a scientific career in which they may well have proved brilliantly successful, have acquired an entirely different kind of culture, literary or artistic, of which they make no use in the specialised work of their profession, but by which their conversation profits. More ‘literary’ than many ‘men of letters’ (we were not aware at this period that M. Legrandin had a distinct reputation as a writer, and so were greatly astonished to find that a well-known composer had set some verses of his to music), endowed with a greater ease in execution than many painters, they imagine that the life they are obliged to lead is not that for which they are really fitted, and they bring to their regular occupations either a fantastic indifference or a sustained and lofty application, scornful, bitter, and conscientious.
- p. 72
- When I saw any external object, my consciousness that I was seeing it would remain between me and it, surrounding it with a thin spiritual border that prevented me from ever touching its substance directly; for it would somehow evaporate before I could make contact with it, just as an incandescent body that is brought into proximity with something wet never actually touches its moisture, since it is always preceded by a zone of evaporation.
- p. 90