Talk:Italian language

Draft

• The popularity of Metastasio and Petrarch in the eighteenth century had caused many people to look upon Italian as an effeminate language—-a view which was now criticized by Macaulay, for example: 'It is a general opinion, among those who know little or nothing of the subject, that this admirable language is adapted only to the effeminate cant of sonneteers, musicians and connoisseurs.' Leigh Hunt, in particular, strove to eradicate this prejudice: 'One of the great objects of the present writer, for many years past, has been to lure his readers into the love of other languages, particularly of this (Italian) most beautiful of them all,' and for this reason he gave the original Italian in quotations as well as his translation.
  • C. P. Brand; Walter Brian Harland (9 June 2011). Italy and the English Romantics: The Italianate Fashion in Early Nineteenth-Century England. Cambridge University Press. p. 43. ISBN 978-0-521-24729-0. 

• A university teaches. What does it teach? It must obviously teach all the languages in which the great literatures which have been preserved were written — Hebrew, Arabic, Sanskrit, Greek, Latin, French, Italian, German, Scandinavian, and English.
  • Charles William Eliot, as quoted by Z. Elmarsafy; A. Bernard; D. Attwell (13 June 2013). Debating Orientalism. Springer. p. 82. ISBN 978-1-137-34111-2. 

• The written language at the heart of Chinese civilization was designed for the production of a conservative elite and the exclusion of the masses from their activities. The contrast could scarcely be greater with the competing vernaculars of Europe – Italian, French and Castilian as well as Portuguese and English – usable for elite literature but readily accessible to a wider public with relatively simple and easily scalable education.
  • Niall Ferguson, Civilization: The West and the Rest (2011)