The Tempest (2010 film)

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The Tempest is a 2010 American comedy-drama film about Prospera, the duchess of Milan, who is secretly denounced as a sorceress and usurped, and is cast off in a small boat to die with her three-year-old daughter Miranda. They survive, finding themselves stranded on an island. Twelve years later, Prospera seizes her chance for revenge by summoning a storm to destroy those who wronged her.

Directed and written by Julie Taymor, based on the play of the same name by William Shakespeare.


  • We are such as dreams are made on, and our little lives are rounded with a sleep.
  • Be cheerful sir, our revels now are ended.
  • I will plague them all, even to roaring!


  • This island is mine!


  • Misery acquaints a man with strange bed fellows.


Caliban: Hast thou not dropped from Heaven?
Stephano: Out of the moon, I do assure thee.

Quotes about The Tempest[edit]

  • What they say is real Shakespeare, with some reasonable trims and modifications. And with one notable exception, they speak the language beautifully, finding nuances of humor, feeling and fantasy packed into the prose and poetry of the script.
    Presiding over a motley, talented assembly is Helen Mirren as Prospera, the former duchess of Milan and Ms. Taymor’s most provocative and persuasive act of revision. Switching the gender of Prospero — an aging wizard who is also his author’s last and fondest alter ego — is more than a gimmick. When the character is a woman, a central relationship in the play, between the magician and her doted-on child, Miranda, sheds some of its traditional, patriarchal dynamic. Instead, a mother-daughter bond fraught with envy, protectiveness and identification blossoms into something newly rich and strange. … The Tempest is, perhaps above all, the portrait — the self-portrait — of an artist on the verge of saying farewell to his art. By abjuring her “rough magic,” burying her magician’s staff and drowning her book of spells, Prospera elects to live in a world without supernatural possibilities; having demonstrated the power of art, she accepts the limits of that power and forsakes hubris for humility, something Ms. Taymor seems unable to do.
  • I didn't really have a male actor that excited me in mind, and yet there had been a couple of phenomenal females — Helen Mirren being one of them — who [made me think]: "My God, does this play change? What happens if you make that role into a female role?" … We did a reading to see if it was just a gimmick, and it worked so beautifully. The potential was there to enhance the play for people who know it — and for others it will just seem natural.


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