Yvonne Vera
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Dr. Yvonne Vera (19 September 1964 – 7 April 2005) was an author from Zimbabwe. Her first published book was a collection of short stories, Why Don't You Carve Other Animals (1992), which was followed by five novels: Nehanda (1993), Without a Name (1994), Under the Tongue (1996), Butterfly Burning (1998), and The Stone Virgins (2002). Her novels are known for their poetic prose, difficult subject-matter, and their strong women characters, and are firmly rooted in Zimbabwe's difficult past. For these reasons, she has been widely studied and appreciated by those studying postcolonial African literature.
Quotes
[edit]- I must be in touch with the earth. I can never mistake the source of inspiration and energy to be gender, it is something we all share. It is true, however, that one best writes on themes, feelings, and sentiments one is more closely connected with. In this regard I like to think that I am writing. I am a woman. I am writing.[1]
- she cried, and the women sang her back to sleep, willing a silence onto her. She defied them with her tiny speech-seeking voice and cried all day and all night until her mother fell asleep.[2]
- I doubt that the natives can listen to an old woman like her. What can she tell them? This society has no respect for women, whom they treat like children. A woman has nothing to say in the life of the natives. Nothing at all.[3]
- The dare was a large clearing in the center of the village. Those who were admitted to the dare knew the power of words. The midwife was also among the shapers of wisdom, who determined the future of the village.[4]
- Our people know the power of words. It is because of this that they desire to have words continuously spoken and kept alive. We do not believe that words can become independent of the speech that bore them, of the humans who controlled and gave birth to them. [... ] The paper is the stranger’s own peculiar custom. Among ourselves, speech is not like the rock. Words cannot be taken from the people who create them. People are their words.[5]
- Nehanda came out of me like a dream. It has the feeling of a dream when I look at it now. And that suited it, because it concerned a myth, a legend. It was a story of spirituality, of ancestors, a mystic consciousness and a history ... so it was much better to write it almost intuitively, out of my consciousness of being an African, as though I were myself a spirit medium, and I was just transferring or conveying the feelings, symbols and images of that. I wrote it at a time when I could write it, the way one might write a folk-song... I wrote it from remembrance, as a witness to my own spiritual history.[6]
- How can words be made still [in writing], without turning into silence? Silence is more to be feared than the agitation of voices.[7]
- to write is to banish silence[8]
- "For me writing is light, a radiance that captures everything in a fine profile. This light searches and illuminates, it is a safe place from which to uncover the emotional havoc of our experience. Light is a bright warmth which heals. Writing can be this kind of light."
- Good Reads[[9]]
- "If speaking is still difficult to negotiate, then writing has created a free space for most women -much freer than speech. The book is bound, circulated, read. It retains its autonomy much more than a woman is allowed in the oral situation."
- Opening Spaces: An Anthology of Contemporary African Women's Writing, August 11, 2008 [[10]]
- "Our people know the power of words. It is because of this that they desire to have words continuously spoken and kept alive. We do not believe that words can become independent of the speech that bore them, of the humans who controlled and gave birth to them. The paper is the stranger’s own peculiar custom. Among ourselves, speech is not like the rock. Words cannot be taken from the people who create them. People are their words."
- Nehanda [[11]]
- "Time is as necessary for remembering as it is for forgetting. Even the smallest embrace of pain needs time larger than a pause; the greatest pause requires an eternity, the greatest hurt a lifetime. A lifetime is longer than eternity: an eternity can exist without human presence."
- "We walked in wisdom with our shadows, in search of the dead part of ourselves, which would be our shelter."
- "I always need to be anchored in such a way that I am inside a character."
- [14]On how she writes her story
