Everything that is new or uncommon raises a pleasure in the imagination, because it fills the soul with an agreeable surprise, gratifies its curiosity, and gives it an idea of which it was not before possessed. ~ Joseph Addison
When you get in situations where you cannot afford to make a mistake, it's very hard to do the right thing. So if you're trying to do the right thing, the right thing might be to eliminate the cost of making a mistake rather than try to guess what's right. ~ Ward Cunningham (born 26 May 1949)
I'm not a fan of classification. It's very difficult to come up with a classification scheme that's useful when what you're most interested in is things that don't fit in, things that you didn't expect. ~ Ward Cunningham
You have so many things in the background that you're supposed to do, there's no room left to think. I say, forget all that and ask yourself, "What's the simplest thing that could possibly work?" ~ Ward Cunningham
Over and over, people try to design systems that make tomorrow's work easy. But when tomorrow comes it turns out they didn't quite understand tomorrow's work, and they actually made it harder. ~ Ward Cunningham
I was frustrated that computer hardware was being improved faster than computer software. I wanted to invent some software that was completely different, that would grow and change as it was used. That’s how wiki came about.
I can't tell you how much time is spent worrying about decisions that don't matter. To just be able to make a decision and see what happens is tremendously empowering, but that means you have to set up the situation such that when something does go wrong, you can fix it.
The world wants oatmeal. It is not my job to give the world oatmeal. It is my job not to be a hack. It is my job to try to make the world chew, lest its lazy jaw muscles atrophy and its collective mandible withers and all its teeth fall out. It is my job, as a writer, to give the world toffee and peanut brittle and tough steak and celery. I write peanut butter sandwiches, not oatmeal. And every time some dolt whines, "I'm confused" or "I don't understand" or "This doesn't make any sense," I should smile and know that I'm doing my job. Not because it is my job to be opaque, but because it is not my job to be transparent.
All I have to do is make you see this. This one particular thing here. That's all. And sometimes it's impossible. Sometimes, I know the best odds I can hope for are a thousand to one. You'll see what you see, what your life has conditioned you to see upon encountering that combination of words, not what I want or need you to see. Fictionwriting is like making films for the blind.
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I've seen so goddamn much — I've seen so much that there's no reasonable excuse for looking away, because there can't be anything left that's more terrible than what has come before. ~ Caitlín R. Kiernan (born May 26)
3 because to admit to witnessing all which the past has to offer is to accept what the future yet holds. Zarbon 05:49, 17 May 2008 (UTC)
When you have nothing left to burn, you must set yourself on fire. ~ Dr. Jack Kevorkian (born May 26)
3 because someone who festers and corrupts everything around eventually has no one left to burn but himself, from the built-up anguish and torment that created the heavy burden. This holds a very powerful, enigmatic meaning. Zarbon 22:07, 26 April 2008 (UTC)
First of all, do any of you here think it's a crime to help a suffering human end his agony? ~ Dr. Jack Kevorkian (born May 26)
3 because helping end another's suffering has always been looked at from two different angles, either for it or against it. It brings a very powerful and controversial moral into play. Zarbon 22:07, 26 April 2008 (UTC)
Source: FRONTLINE Show #1416 - Air Date: May 14, 1996 on PBS
When history looks back, it will prove what I'll die knowing. ~ Dr. Jack Kevorkian (born May 26)
3 because it takes a long time for mankind to understand some things, sometimes hundreds if not thousands of years. But the ability to acknowledge knowing this prior and dying with this knowledge is admirable. Zarbon 22:07, 26 April 2008 (UTC)
Source: Between the Dying and the Dead: Dr. Jack Kevorkian's Life and the Battle to Legalize Euthanasia. - Page 247 - by Neal Nicol, Harry Wylie - Biography & Autobiography - 2006
American institutions rest solely on good citizenship. They were created by people who had a background of self-government. New arrivals should be limited to our capacity to absorb them into the ranks of good citizenship. America must be kept American. For this purpose, it is necessary to continue a policy of restricted immigration. It would be well to make such immigration of a selective nature with some inspection at the source, and based either on a prior census or upon the record of naturalization. Either method would insure the admission of those with the largest capacity and best intention of becoming citizens. I am convinced that our present economic and social conditions warrant a limitation of those to be admitted. We should find additional safety in a law requiring the immediate registration of all aliens. Those who do not want to be partakers of the American spirit ought not to settle in America.
Art is not science. Even when art is about science, it is still art. There cannot be consensus, in the sense that science strives for meaningful consensus. And unlike science, art is not progressive. Personally, I have my doubts that science can be said to be genuinely progressive, but I'm pretty dammed certain that art is not. Which is not to say that it is not accumulative or accretionary. But the belief that sf writers are out there forecasting the future, that they have some social responsibility to do so, that's malarky, if you ask me.
Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation. I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.
I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.