Johannes Grenzfurthner

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Johannes Grenzfurthner

Johannes Grenzfurthner (born 1975) is an Austrian artist, author, director, researcher. He founded the art and theory group monochrom.

Quotes[edit]

  • If I had not grown up in Stockerau, in the boonies of Lower Austria, than I would not be what I am now. The germ cell of burgeoning nerdism is difference. The yearning to be understood, to find opportunities to share experiences, to not be left alone with one's bizarre interest. At the same time one derives an almost perverse pleasure from wallowing in this deficit. Nerds love deficiency: that of the other, but also their own. Nerds are eager explorers, who enjoy measuring themselves against one another and also compete aggressively. And yet the nerd's existence also comprises an element of the occult, of mystery. The way in which this power is expressed or focused is very important.
  • I think that the figure of the nerd provides a beautiful template for analyzing the transformation of the disciplinary society into the control society. The nerd, in his cliche form, first stepped out upon the world stage in the mid-1970s, when we were beginning to hear the first rumblings of what would become the Cambrian explosion of the information society. The nerd must serve as comic relief for the future-anxieties of Western society. And the transformation I'm talking about is already in full swing: the police gaze of 19th- and 20th-century disciplinary society made visible the individual, which is illuminated by power. In our burgeoning technological control society, the individual is x-rayed and algorithmized. Even worse: the individuals x-ray themselves, willingly putting themselves on display.
  • The widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are 'left over.' However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed.
  • In a media-based society (and of course there is no such thing as a non-media-based society consisting of more than one person) it is the signs and significants, the meanings and habits and conventions of speaking and thinking, the images and stereotypes which control everything. It is important to analyze how it is represented and of course what is not represented or how it lacks representation. It's not so much Rupert Murdoch – whose assholeness I will not dispute – that we should attack, but rather something I would call the cultural grammar of the public space. Power is formed within such a grammar. Access and non-access to each and every thing is regulated in its realm. Meanings are negotiated there.
    • talking about Guerilla Communication strategies in "Urban Hacking", transkript, p. 98
  • The human is a narrative being. We construct emotional machines, so-called “stories”, to communicate, to share the world in which we live and make it collectively experienceable. And we are pretty good at doing that. Since the primordial soup at some point mendelized into primate brains, we have either been fleeing from big cats or telling others about our escapes from the clutches of big cats. Sitting around the campfire, interpreting and breaking down the world, charging it with aura. Initially this was all very mythopoeic, and slowly it became more differentiated. But even in the post-Enlightenment age, world interpretations are not necessarily particularly rational. Good stories sell well, and the best stories are the ones that hit you in the gut, regardless of whether they would hold up to a Wikipedia check or not.
  • Oh, Tolkien, that miserable Catholic. He even hated refrigerators. A technophobic academic who probable would have fucked Ireland, if Ireland were fuckable.
  • Companies like Nike already use Graffiti as a standard variety in their marketing campaigns and the first people who read Naomi Klein's 'No Logo' were marketing gurus who wanted to know what they shouldn't do.
    • talking about Guerilla Communication strategies in "Urban Hacking", transkript, p. 106
  • Since the advent of modernism, artists have been seeking to loosen the entanglement of work and subject, because they saw themselves pushed into a role that they did not necessarily want to occupy: one which offered freedom and independence on the upside, but in combination with isolation and powerlessness on the downside. While the workers of the Fordist factory developed collectivist strategies to pursue their goals, the particularities of the artist's existence – cast as productive eccentricity and manic-depressive individualism – made it more difficult for artists to organize to achieve their demands and improve their precarious living and working conditions. It was only with great difficulty that this group, condemned to autonomy, could free itself from the prison of its freedom.
  • The information age is an age of permanently getting stuck. Greater and greater speed is demanded. New software, new hardware, new structures, new cultural techniques. Life-long learning? Yes. But the company can't fire the secretary every six months, just because she can't cope with the new version of Excel. They can count their keystrokes, measure their productivity … but! They will never be able to sanction their inability! Because that is immanent.
  • I think that Man in creating God somewhat overestimated his abilities.
    • aphorism used in mRIF
  • Imagination is an abuse of power.
    • aphorism used in mRIF
  • I always loved the grand dichotomies of life. Dogs and cats. Cats and mice. Like Tom and Jerry. But as someone who grew up in Central Europe I never understood how a mouse can live inside a wall. Walls are made of bricks! They are not hollow. Way later I came to understand, when I learned that US-American houses are just made of wood, and their walls are really hollow.
  • I always wonder what the official web site of the GDR would look like if they were still around. Would they use Flash? Or HTML5?
  • The future is like the Jetsons, plus rape.
    • at Hope Conference 2010 in NYC, talking about the necessity to deconstruct the patriarchal structures of Western society
  • Long time ago I called the greasy stuff on touch displays "hackerfat"... but it's better to change that to "socialsmear".
  • The Capitalist system is a highly adaptable entity. And so it isn't surprising that alternative spaces and forms of living provided interesting ideas that could be milked and marketed. So certain structural features of these "indie" movement outputs were suddenly highly acclaimed, applied and copy-pasted into capitalist developing laboratories. These qualities fit best into the tendency in which -- by the end of the seventies -- bourgeois society started to update and re-launch using the experiences gained through countercultural projects. Mainstream harvested the knowledge that was won in these projects and used it. Normalizing dissent.
  • The emergence of new media (and therefore artistic) formats is certainly interesting. But etching information into copper plates is just as exciting. We think that the perpetual return of 'the new', to cite Walter Benjamin, is nothing to write home about - except perhaps for the slave-drivers in the fashion industry. We've never been interested in the new just in itself, but in the accidental occurrence. In the moment where things don't tally, where productive confusion arises. That's why in the final analysis, although we've laughed a lot with Stewart Home, we even reject the meta-criticism of innovation-fixation articulated in 'neoism'. The new sorts itself out when it lands in the museum. Finito.
  • Christianity is a death cult gone horribly wrong.
  • Everything in German sounds like a war crime. And everything in Austrian German sounds like a war crime served with whipped cream.
  • Hasta la victoria siempre! Never forget! And let anthropomorphized kiwis puke evil provitamins on Jean-Luc Picard!
  • Did you know that if you removed all nerve cells from your brain and laid them out end-to-end in a straight line, you would die?
  • Whenever I go to a botanical garden, I think of killing people with a spade.
  • Monotheism is a dictatorship. The number of the beast is 1.
  • Vegas is gorgeous hyperreality, but most of the stuff people like here is not my cup of tea. I don't gamble, and I don't like Penn & Teller. I'd rather be locked into a basement full of Philip Glass recordings.
  • Liberals believe being friendly and fair will make the world better. But our world runs by horrific rules. Fair-play doesn't change the rules. You just accept them.
    • at KAPU, Konferenz der Begrenzten, Linz 2016
  • A guy once screamed "Rammstein is fascist" in my face. I screamed "Laibach have seen better days!" back.
    • lecture performance at CMU Pittsburgh.
  • Watching a Norwegian film: character screams "Satan" and the English subtitle reads "Christ". That's was I call subliminal messaging.
    • lecture performance at CMU Pittsburgh.
  • Strange to see radical anti-Semites using Facebook. I'd like to call that Zuckerberg's Paradox.
    • lecture performance at CMU Pittsburgh.

External links[edit]

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