Jump to navigation Jump to search
|This theme article is a stub. You can help Wikiquote by expanding it.|
- Fuselier and Ochberg say that if you want to understand “the killers,” quit asking what drove them. Eric Harris and Dylan Klebold were radically different individuals, with vastly different motives and opposite mental conditions. Klebold is easier to comprehend, a more familiar type. He was hotheaded, but depressive and suicidal. He blamed himself for his problems. Harris is the challenge. He was sweet-faced and well-spoken. Adults, and even some other kids, described him as “nice.” But Harris was cold, calculating, and homicidal. “Klebold was hurting inside while Harris wanted to hurt people,” Fuselier says. Harris was not merely a troubled kid, the psychiatrists say, he was a psychopath. In popular usage, almost any crazy killer is a “psychopath.” But in psychiatry, it’s a very specific mental condition that rarely involves killing, or even psychosis. “Psychopaths are not disoriented or out of touch with reality, nor do they experience the delusions, hallucinations, or intense subjective distress that characterize most other mental disorders,” writes Dr. Robert Hare, in Without Conscience, the seminal book on the condition. (Hare is also one of the psychologists consulted by the FBI about Columbine and by Slate for this story.) “Unlike psychotic individuals, psychopaths are rational and aware of what they are doing and why. Their behavior is the result of choice, freely exercised.” Diagnosing Harris as a psychopath represents neither a legal defense, nor a moral excuse. But it illuminates a great deal about the thought process that drove him to mass murder.
- Dave Cullen, "The Depressive and the Psychopath: At last we know why the Columbine killers did it," April 20, 2004, Slate.com
- The psychopath is a rebel without a cause, an agitator without a slogan, a revolutionary without a program: in other words, his rebelliousness is aimed to achieve goals satisfactory to himself alone; he is incapable of exertions for the sake of others. All his efforts, hidden under no matter what disguise, represent investments designed to satisfy his immediate wishes and desires.
- Robert M. Lindner, Rebel Without A Cause—The Hypnoanalysis of a Criminal Psychopath (1944)
- The hipster ... knows that if our collective condition is to live with instant death by atomic war, relatively quick death by the State as l’univers concentrationnaire, or with a slow death by conformity with every creative and rebellious instinct stifled (at what damage to the mind and the heart and the liver and the nerves no research foundation for cancer will discover in a hurry), if the fate of twentieth century man is to live with death from adolescence to premature senescence, why then the only life-giving answer is to accept the terms of death, to live with death as immediate danger, to divorce oneself from society, to exist without roots, to set out on that uncharted journey into the rebellious imperatives of the self. In short, whether the life is criminal or not, the decision is to encourage the psychopath in oneself, to explore that domain of experience where security is boredom and therefore sickness, and one exists in the present, in that enormous present which is without past or future, memory or planned intention, the life where a man must go until he is beat, where he must gamble with his energies through all those small or large crises of courage and unforeseen situations which beset his day, where he must be with it or doomed not to swing. The unstated essence of Hip, its psychopathic brilliance, quivers with the knowledge that new kinds of victories increase one’s power for new kinds of perception; and defeats, the wrong kind of defeats, attack the body and imprison one’s energy until one is jailed in the prison air of other people’s habits, other people’s defeats, boredom, quiet desperation, and muted icy self-destroying rage. One is Hip or one is Square (the alternative which each new generation coming into American life is beginning to feel) one is a rebel or one conforms, one is a frontiersman in the Wild West of American night life, or else a Square cell, trapped in the totalitarian tissues of American society, doomed willy-nilly to conform if one is to succeed.