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A villain is an "evil" character in a story, whether a historical narrative or, especially, a work of fiction.


  • The fact that Carradine has brought up Zen philosophy is interesting in and of itself. Not because of his classic stint as the metaphysically-minded Kane from 1972 until 1975, but more because many of the villains that he's portrayed in film over the years have been instilled with an unnerving sense of calm. Carradine's baddies are not maniacally crazed individuals, but rather reserved and introspective, bequeathed with an eerie sense of serenity which ultimately makes them not only creepy, but more resolutely evil, more menacing. "Have you ever met one of those?" he queries about the maniacal, crazed villain. "I mean serial killers tend to be [normal]. Some of the most villainous people that we've ever heard of are sophisticated and charming, you know? I mean, take a guy like Hitler. How the hell could he talk millions of people into taking his terrible, horrible, horrendous trip. There must have been a lot of charisma there. And considering that he was a funny, ugly lookin' little guy, how the f@#k did he do that? When I started playing villains I thought, 'Villains don't think they're villains. They think they're good guys.' So I figured, 'let the story take care of that part.' It will be obvious in the story this guy is bad. He's gonna do something, he's gonna slit some girl's throat or shoot some guy down or cheat somebody at cards or whatever. So he'll do that. But in the meantime, if he's trying to be charming, which they all do, you know, the used car salesman [that's trying to win you over]. And I thought, 'That's the way to go.' And it seems to work."
  • Tony Montana: What you lookin' at? You all a bunch of fuckin' assholes. You know why? You don't have the guts to be what you wanna be. You need people like me. You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." So... what that make you? Good? You're not good. You just know how to hide, how to lie. Me, I don't have that problem. Me, I always tell the truth. Even when I lie. So say good night to the bad guy! Come on. The last time you gonna see a bad guy like this again, let me tell you. Come on. Make way for the bad guy. There's a bad guy comin' through! Better get outta his way!
Worf: I believed her. I... helped her. I did not see her for what she was.
Jean-Luc Picard: Mr. Worf, villains who twirl their moustaches are easy to spot. Those who clothe themselves in good deeds are well-camouflaged.
Worf: I think... after yesterday people will not be so ready to trust her.
Jean-Luc Picard: Maybe. But she, or someone like her, will always be with us. Waiting for the right climate in which to flourish, spreading fear in the name of righteousness. [...] Vigilance, Mr. Worf. That is the price we must continually pay.

Hoyt's New Cyclopedia Of Practical Quotations[edit]

Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 419.
  • Now I will show myself
    To have more of the serpent than the dove;
    That is—more knave than fool.
  • Zeno first started that doctrine, that knavery is the best defence against a knave.
    • Plutarch, Moralia (2d century), Volume I. Of Bashfulness.
  • There's ne'er a villain dwelling in all Denmark
    But he's an arrant knave.
  • His nunc præmium est qui recta prava faciunt.
    • Knavery's now its own reward.
    • Terence, Phormio (c. 161 BC), V, 1, 6.

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