Bankim Chandra Chattopadhyay

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Bankim Chandra Chattopadhyay

Bankim Chandra Chattopadhyay (27 June 18388 April 1894) was a Bengali writer, poet and journalist who standardized and modernized the prose form of Bengali literature, both in fiction and non-fiction, and is known as sahitya samrat (emperor of literature) in Bengali. India's national song Vande Mataram, which had given rise to the concept of the nation as mother and inspired the Indian nation during its struggle for independence, was taken from his novel Anandamath.

Quotes[edit]

  • When a man is in doubt what to do, he goes wherever he happens to be first called.
  • Prose must be written in language that is well understood by its readers. The world would hardly miss those literary works that are mastered by only half-a-dozen pundits.
  • [N]o study is likely to be fruitful of results if carried on without a system. The majority of those who pursue knowledge for its own sake pursue it after an aimless and desultory fashion.
  • Woman is the crowning excellence of God's creation, the shadow of the gods. Man the god's creation only. Woman is light, man is shadow.
    • Bankim Chandra Chattopadhyay: From Bankim's novel Krishnakanta's Will. Quoted in Elst, Koenraad (2001). Decolonizing the Hindu mind: Ideological development of Hindu revivalism. New Delhi: Rupa. p. 114-115

Quotes about Bankim Chandra[edit]

  • The supreme service of Bankim [Chandra Chatterji] to his nation was that he gave us the vision of our Mother.... It is not till the Motherland reveals herself to the eye of the mind as something more than a stretch of earth or a mass of individuals, it is not till she takes shape as a great Divine and Maternal Power in a form of beauty that can dominate the mind and seize the heart that ... the patriotism that works miracles and saves a doomed nation is born... It was thirty-two years ago that Bankim wrote his great song and few listened; but in a sudden moment of awakening from long delusions the people of Bengal looked round for the truth and in a fated moment somebody sang Bande Mataram. The Mantra had been given and in a single day a whole people had been converted to the religion of patriotism. The Mother had revealed herself.
    • Aurobindo, Bande Mataram, April 16, 1907, quoted from Sri Aurobindo, ., Nahar, S., Aurobindo, ., & Institut de recherches évolutives (Paris). India's rebirth: A selection from Sri Aurobindo's writing, talks and speeches. Paris: Institut de Recherches Evolutives. 3rd Edition (2000). [1]
  • We used the Mantra Bande Mataram with all our heart and soul, and so long as we used and lived it, relied upon its strength to overbear all difficulties, we prospered. But suddenly the faith and the courage failed us, the cry of the Mantra began to sink and as it rang feebly, the strength began to fade out of the country. It was God, who made it fade out and falter, for it had done its work. A greater Mantra than Bande Mataram has to come. Bankim was not the ultimate seer of Indian awakening. He gave only the term of the initial and public worship, not the formula and the ritual of the inner secret upasana [worship]. For the greatest Mantras are those which are uttered within, and which the seer whispers or gives in dream or vision to his disciples. When the ultimate Mantra is practised even by two or three, then the closed Hand of God will begin to open; when the upasana is numerously followed the closed Hand will open absolutely.
    • Aurobindo, quoted from Sri Aurobindo, ., Nahar, S., Aurobindo, ., & Institut de recherches évolutives (Paris). India's rebirth: A selection from Sri Aurobindo's writing, talks and speeches. Paris: Institut de Recherches Evolutives. 3rd Edition (2000). [2]
  • The only resolute defender of Hinduism in this intellectually hostile atmosphere was Bankim Chandra Chatterji. He was well-versed in Western literature and philosophy and his knowledge of Hindu Shastras and history was deep as well as discerning.... “If the principles of Christianity,” he wrote, “are not responsible for the slaughter of the crusades, the butcheries of Alva, the massacre of St. Bartholomew or the flames of the Inquisition... If the principles of Christianity are not responsible for the civil disabilities of Roman Catholics and Jews which till recently disgraced the English Statute Book, I do not understand how the principles of Hinduism are to be held responsible for the civil disabilities of the sudras under the Brahmanic regime. The critics of Hinduism have one measure for their own religion and another for Hinduism.”
    • S.R. Goel, History of Hindu-Christian Encounters (1996), quoting from: Das, Sisir Kumar, The Shadow of the Cross, New Delhi, 1974. p. 117-118.
  • The impact of Vivekananda in his own country was far more momentous. He had taken over from where Bankim Chandra had left. Among the writers and thinkers of modern India, Bankim Chandra had fascinated him the most. During his lecture tour in East Bengal in 1901 he is reported to have advised Bengal's young men to 'read Bankim, and Bankim, and Bankim again.' Small wonder that Bankim's AnandamaTha inspired revolutionary organisations fighting for India's freedom and his Vande MAtaram became the national song par excellence when the awakening brought about by Vivekananda burst forth in a political movement soon after his death in 1902.
    • Sita Ram Goel, History of Hindu-Christian Encounters, 1996, Ch. 13.
  • A younger contemporary of Maharshi Dayananda had meanwhile dived deep into the ocean of Indian culture and come up with a vast and variegated treasure. That was Bankim Chandra Chatterjee (1838-1894)....It was also Bankim Chandra who restored the Mahabharata to its rightful place as a profound elaboration of what the Veda had said in the form of mystic mantras. The Gita which had been subjected to sectarian interpretations for several centuries past, was rescued by Bankim Chandra from the quagmire of casuistry. This great scripture had been interpreted by many ãchãryas either to support sannyãsa or to bolster bhakti. Its central core of karmayoga had been consigned to oblivion. Bankim Chandra was the first in modern times to restore the lost balance, so much so that in his ÃnandamaTha it was the sannyãsin who took up the sword in defence of Dharma. In days to come, the Gita was to become the greatest single inspiration for revolutionary action. Many a freedom fighter mounted the gallows with the Gita in his hands and Bankim Chandra’s Vande Mãtaram on his lips.
    But the greatest achievement of Bankim Chandra was the rehabilitation of Sri Krishna of the Mahabharata. This highest Hindu image of the seer, the statesman, and the hero had been made to sing and dance with the gopîs for far too long. Some devotees of Sri Krishna’s dalliance with the gopîs had gone to the extent of saying that Krishna had ceased to be Krishna as soon as he left Vrindavana. Bankim Chandra did not fall foul of this portrayal. Instead, he quietly brought back the Krishna who had sided with the just cause in a controversy involving Dharma, who had befriended Draupadi in moments of her great distress, who had guided the Pandavas through every twist and turn of fortune, who had given the Gita on the battlefield of Kurukshetra, who had rescued Yudhisthira from a fit of unmanly remorse, but who had nonetheless bowed before Bhishma as that paragon of valour, virtue, and wisdom lay on his deathbed.
  • Bande Mataram, apart from its wonderful associations, expresses the one national wish—the rise of India to her full height. And I should prefer Bande Mataram to Bharat Mata-ki-jai, as it would be a graceful recognition of the intellectual and emotional superiority of Bengal.
    • Mahatma Gandhi quoted in B.R. Ambedkar, Pakistan or The Partition of India (1946)

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