James Bond (film series)

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For Your Eyes Only

The James Bond film series deals with the British author Ian Fleming's most famous character, MI6 agent James Bond, also known as agent 007. He has been portrayed, as of 2015, by six actors in the following 24 official films from EON Productions started by film producers Albert R. Broccoli and Harry Saltzman.


  • Bond ... James Bond
  • Shaken, not stirred.
  • Good luck out there in the field... And please return the equipment in one piece.
  • Ah, Mr Bond, we’ve been expecting you.


The World Is Not Enough

See also[edit]

About James Bond (film series)[edit]

  • I felt I was caught in a time warp between Roger and Sean. It was a very hard one to grasp the meaning of, for me. The violence was never real, the brute force of the man was never palpable. It was quite tame, and the characterisation didn’t have a follow-through of reality, it was surface.
  • The only real difficulty I found in playing Bond was that I had to start from scratch. Nobody knew anything about him, after all. Not even Fleming. Does he have parents? Where does he come from? Nobody knows. But we played it for laughs, and people seem to feel it comes off quite well.
  • Yes, I do identify with him. I too enjoy drinking, women, eating the physical pleasure – smells and tastes living by my senses, being alive. And as far as Bond is concerned, he has no past.
  • Bond makes his own rules, and that’s fine as long as you’re not plagued by doubts. But if you are—and most of us are—you’re sunk. That’s why Bond is so attrac­tive to women. By their na­ture they’re indecisive, so a man who is absolutely sure comes as a godsend.
  • Hitherto, whenever I’ve tangled with a beautiful spy, have you noticed what in­variably happens? Even if I know the girl is a nasty and dangerous little snake, I’ve still had to kiss her first and kill her later. That’s the persona Ian Fleming and the film producers built up for me as James Bond. Every time I see a girl, I have to give. One of my producers, Cubby Broccoli, said to me: ‘It’s like this, Sean. James Bond is a nut for girls. Even if he hates her, his amor­ous instincts die hard – and she dies soft see?
  • He (Bond) is really a mixture of all that the defenders and the attackers say he is. When I spoke about Bond with (Bond creator, Ian) Fleming, he said that when the character was conceived, Bond was a very simple, straightforward, blunt instrument of the police force, a functionary who would carry out his job rather doggedly. But he also had a lot of idiosyncrasies that were considered snobbish–such as a taste for special wines, et cetera. But if you take Bond in the situations that he is constantly involved with, you see that it is a very hard, high, unusual league that he plays in. Therefore he is quite right in having all his senses satisfied–be it sex, wine, food or clothes–because the job, and he with it, may terminate at any minute. But the virtues that (Kingsley) Amis mentions–loyalty, honesty–are there, too. Bond doesn’t chase married women, for instance. Judged on that level, he comes out rather well.
  • “Immoral? I’ve never seen him steal anyone’s wife, anyone else’s woman, or betray his own; he doesn’t have one. He likes women all right, but he never rapes them; it’s they who worm their way into his bed. He kills people, he has to; if he doesn’t, they’ll kill him. He abides by no laws, but nor is he protected by the laws that protect others; society does nothing to defend him, he isn’t known to society. He’s rather ignorant, O.K., but he doesn’t exactly have the time for reading Joyce. His struggle for survival obliges him to be practical, functional, to reduce everything to the verbs sniff, look, listen, taste, think. His safety depends on this and not on Joyce. He doesn’t fight for old people and children, but who said he couldn’t? Have you any proof? Your accusations wouldn’t be valid in any court of law. Yes, sure, it would be interesting if I spoke badly of Bond. But I’ve got nothing at all against Mr. Bond, and I’m only too sorry he has to die.”
  • With James Bond, people are sure there's gonna be a bit of sex, a bit of fun, a bit of action, a bit of drama and it's gonna be a bit of a joyride. My personal choice is From Russia With Love because that's got all the glamour and the locations and the twists and the humor and rather good storytelling, and places like Istanbul. The Bond pictures will continue on, I suppose.
  • He’s very fucking lonely. There’s a great sadness. He’s fucking these beautiful women but then they leave and it’s … sad. And as a man gets older it’s not a good look. It might be a nice fantasy – that’s debatable – but the reality, after a couple of months …
  • Hopefully, my Bond is not as sexist and misogynistic as [earlier incarnations].
  • I think Roger was fine as Bond, but the films had become too much techno-pop and had lost track of their sense of story. I mean, every film seemed to have a villain who had to rule or destroy the world. If you want to believe in the fantasy on screen, then you have to believe in the characters and use them as a stepping-stone to lead you into this fantasy world. That's a demand I made, and Albert Broccoli agreed with me.
  • I mean the reasons that I wanted to be Bond were simple. I looked up to Sean Connery as an actor, and I thought that I would get laid a lot more. The strange thing is it actually had the opposite effect. Short hair and suits didn’t get you laid in the late 1960s. Everyone was wearing bell-bottoms.
  • I tend to forget that I even played James Bond until somebody reminds me. But I am glad I got to share the story.
  • I wouldn’t have changed it from the way I played it. I played it slightly tongue-in-cheek because I never quite believed that James Bond was a spy because everybody knew him, they all knew what he drank. He’d walk into a bar and it would always be, 'Ah, Commander Bond, martini, shaken not stirred.’ Spies are faceless people.

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